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C.F. 15246911000",[],[72],{"_type":73,"label":74,"page":75},"internalLink",null,{"_id":76,"_type":77,"seo":74,"slug":78,"title":80},"7f47b73d-575d-4f56-82a5-c2a0c5f2f8c6","pageA",{"_type":8,"current":79},"imprint","Imprint",[82,86],{"_key":83,"_type":50,"title":84,"url":85},"2974397122df","Instagram","https://www.instagram.com/giustinistagetti/",{"_key":87,"_type":50,"title":88,"url":89},"377860ecd4ba","Facebook","https://www.facebook.com/p/Giustini-Stagetti-Roma-100063558789241/",{"author":91},{"_id":5,"_type":6,"bioExtended":92,"bioFull":101,"bioShort":126,"exhibitions":135,"profileImage":428,"seo":74,"slug":430,"sortValue":178,"title":10},[93],{"_key":94,"_type":36,"children":95,"markDefs":100,"style":53},"73c16e78ae88",[96],{"_key":97,"_type":40,"marks":98,"text":99},"be462c770bee",[],"Andrea Anastasio (Rome, 1961) is a multidisciplinary artist with a background in street performance, art history, and philosophy. In the ’80s and ’90s, he traveled extensively in India, working with UNESCO and studying Indian art and philosophy. Anastasio has collaborated with architectural firms and designed for companies like Artemide and Memphis-Milan. His work blends industrial processes with traditional craftsmanship, focusing on domestic objects and materials. Through simple gestures like assemblage and weaving, he challenges perceptions of reality, exploring themes of temporality and human fragility. His creations emphasize the contradictions of human existence, often evoked in domestic spaces.",[],[102,110,118],{"_key":103,"_type":36,"children":104,"markDefs":109,"style":53},"fae46e4f3bec",[105],{"_key":106,"_type":40,"marks":107,"text":108},"17b4f330ff3e",[],"In the ’70s Andrea Anastasio (Rome, 1961) is a member of MTM and is trained in street performance at the school of circus with Roy Bosier and Jango Edwards. He studies art history and oriental studies in Rome and at I.S.M.E.O.. Later he obtains his M.A.in philosophy in Venice. Throughout the ’80s and ’90s he travels extensively in India, studying Indian art history and philosophy. He works at the cataloguing of Islamic architecture in India for UNESCO and at the publication of the teaching of J. Krishnamurti at the K.F.I. Foundation in Madras. In the same years he collaborates with UDRI in Bombay and with the architectural firm Rahul Mehrotra & Associates-Bombay. He works at identifying and cataloguing craft and building techniques in the rural areas of India.",[],{"_key":111,"_type":36,"children":112,"markDefs":117,"style":53},"6fd89cd2a95f",[113],{"_key":114,"_type":40,"marks":115,"text":116},"3df9b8ec5bca",[],"He designs for Italian companies such as Artemide, Memphis-Milan and Danese, connoting his projects of hybridizations of the industrial production processes with craft procedures and by the use of hand made materials that are then industrially finished. Since 2002 his work focuses on manipulating objects and materials of domestic usage and consumer-goods. By reiterating simple gestures or craft techniques like assemblage, weaving, collage, etc. or just by juxtaposing objects, underlining gestures and aspects of daily life that normally go unnoticed, Anastasio’s work generates linguistic short-circuits that challenge the common perception and definition of reality. By the making of objects, pictures, drawings, books and videos, his research focuses on temporality, fragility of human condition, on the definition of reality. He approaches domestic space as the privileged stage where the contradictions of human existence can be evoked and re-enacted.",[],{"_key":119,"_type":36,"children":120,"markDefs":125,"style":53},"5caf2f95c905",[121],{"_key":122,"_type":40,"marks":123,"text":124},"eb5fa5d8a0ad",[],"Andrea Anastasio’s works here presented have been conceived exclusively for the gallery within its territorial survey aimed at identifying Roman authors operating in contemporary design with an international attitude combined with a deeply rooted cultural vocation to the genius loci and whose direction of research leads them to exploit techniques and materials of the Roman and Italian artistic and artisanal tradition.",[],[127],{"_key":128,"_type":36,"children":129,"markDefs":134,"style":53},"ab8b42839a7a",[130],{"_key":131,"_type":40,"marks":132,"text":133},"70964bac30ec",[],"Andrea Anastasio (Rome, 1961)",[],[136,330],{"_id":137,"_type":138,"authors":139,"dates":250,"featuredImages":253,"location":267,"pageBuilder":268,"seo":74,"slug":327,"title":329},"ea322859-7c9e-4bd2-a514-847be1685474","exhibition",[140,179],{"_id":5,"_type":6,"bioExtended":141,"bioFull":147,"bioShort":163,"profileImage":169,"seo":74,"slug":177,"sortValue":178,"title":10},[142],{"_key":94,"_type":36,"children":143,"markDefs":146,"style":53},[144],{"_key":97,"_type":40,"marks":145,"text":99},[],[],[148,153,158],{"_key":103,"_type":36,"children":149,"markDefs":152,"style":53},[150],{"_key":106,"_type":40,"marks":151,"text":108},[],[],{"_key":111,"_type":36,"children":154,"markDefs":157,"style":53},[155],{"_key":114,"_type":40,"marks":156,"text":116},[],[],{"_key":119,"_type":36,"children":159,"markDefs":162,"style":53},[160],{"_key":122,"_type":40,"marks":161,"text":124},[],[],[164],{"_key":128,"_type":36,"children":165,"markDefs":168,"style":53},[166],{"_key":131,"_type":40,"marks":167,"text":133},[],[],{"alt":74,"asset":170},{"_id":171,"height":172,"orientation":173,"ratio":174,"url":175,"width":176},"image-3a076863bed01a0de511ae5999b0a2ae635e5384-640x962-png",962,"portrait",0.6652806652806653,"https://cdn.sanity.io/images/w19bax1v/production/3a076863bed01a0de511ae5999b0a2ae635e5384-640x962.png",640,{"_type":8,"current":9},"anastasio ",{"_id":180,"_type":6,"bioExtended":181,"bioFull":190,"bioShort":215,"profileImage":239,"seo":74,"slug":246,"sortValue":248,"title":249},"55e20aca-6f5a-4c12-aeee-fa48cdd4f6b1",[182],{"_key":183,"_type":36,"children":184,"markDefs":189,"style":53},"da4c1217dc01",[185],{"_key":186,"_type":40,"marks":187,"text":188},"5310a2354155",[],"Giacomo Moor (Milan, 1981) began working in carpentry early on. He studied at the Polytechnic University in Milan, where he combined rigorous planning with a passion for woodworking. In 2011, after completing a dissertation on wood, he opened his studio with partner Aurelie Callegari. Moor designs experimental collections, custom furnishings, and unique pieces, blending precise design with traditional craftsmanship. His awards include Best Young Designer at EDIDA 2016 and the Wallpaper* Award in 2017. Moor’s collections, like “Centina” and “Funamolo,” explore the intersection of architecture, design, and traditional craftsmanship, with wood as the main material.",[],[191,199,207],{"_key":192,"_type":36,"children":193,"markDefs":198,"style":53},"a6c1aabbe2f2",[194],{"_key":195,"_type":40,"marks":196,"text":197},"c63e86cfde7b",[],"Born in Milan in 1981, Giacomo Moor begins to work in a carpenter’s workshop at an early age. During his years at the Politecnico University in Milan, under the guidance of professor and architect Beppe Finessi, he starts to bring together rigorous planning with his fascination for the beauty and versatility of woodworking. In 2011, after majoring in Design with a final dissertation on wood called “Valuable Imperfections. Cabinetmaking, from sculpture to design” published by Abitare, Giacomo Moor opens his studio with his partner Aurelie Callegari.",[],{"_key":200,"_type":36,"children":201,"markDefs":206,"style":53},"2e8ccea1dc66",[202],{"_key":203,"_type":40,"marks":204,"text":205},"26e8b5245e3b",[],"From the planning of experimental collections to the production of tailor made furnishings, Giacomo Moor achieves through his practice the dual resolution of ideation and realisation. In his studio/carpentry in Milan, Moor refines and defines his ideas: he designs products for companies, he creates limited editions for galleries, he produces unique pieces for private clients, and he is engaged in every step of the process. Constantly striving to improve carpentry techniques, he unites the precision and the formal rigour of the design with the sensitivity of manual craftsmanship. Giacomo Moor was nominated the Best Young Designer by Elle Décor Italia during EDIDA 2016, and in the same year he won the BestYoungDesigner Award at the Salone del Mobile. In 2017 he won the Wallpaper* Award with his work Kit del Legnamè and in 2018 the LandRoverBornAward.",[],{"_key":208,"_type":36,"children":209,"markDefs":214,"style":53},"e873ffa08248",[210],{"_key":211,"_type":40,"marks":212,"text":213},"6ccfe5e7f7f5",[],"Both using wood as their primary material, “Centina” and Funamolo” collections have been conceived by Giacomo Moor exclusively for the gallery within a fild of research that focuses on the theme of interdisciplinary cross-contamination between architecture and design, and on the deployment of the instruments, methods and materials of traditional workmanship.",[],[216,224,232],{"_key":217,"_type":36,"children":218,"markDefs":223,"style":53},"3676ba53e943",[219],{"_key":220,"_type":40,"marks":221,"text":222},"372cc69cbadf",[],"Giacomo Moor (Milan, 1981)",[],{"_key":225,"_type":36,"children":226,"markDefs":231,"style":53},"4f695c3dcd2f",[227],{"_key":228,"_type":40,"marks":229,"text":230},"3e8b402655d4",[],"",[],{"_key":233,"_type":36,"children":234,"markDefs":238,"style":53},"cb7238d7f679",[235],{"_key":236,"_type":40,"marks":237,"text":230},"ae63c9683632",[],[],{"alt":74,"asset":240},{"_id":241,"height":242,"orientation":173,"ratio":243,"url":244,"width":245},"image-fb753d23ce37ff7a7f3346f2053e039b136f656c-642x966-png",966,0.6645962732919255,"https://cdn.sanity.io/images/w19bax1v/production/fb753d23ce37ff7a7f3346f2053e039b136f656c-642x966.png",642,{"_type":8,"current":247},"giacomo-moor","moor","Giacomo Moor",{"end":251,"start":252},"2019-12-23","2019-11-29",{"landingImage":254,"thumbnailImage":261},{"alt":74,"asset":255},{"_id":256,"height":257,"orientation":173,"ratio":258,"url":259,"width":260},"image-d62aeb1fdcf28a6a39a9e5e5e1ccbe9512c3b38d-1333x2000-jpg",2000,0.6665,"https://cdn.sanity.io/images/w19bax1v/production/d62aeb1fdcf28a6a39a9e5e5e1ccbe9512c3b38d-1333x2000.jpg",1333,{"alt":74,"asset":262},{"_id":263,"height":260,"orientation":264,"ratio":265,"url":266,"width":257},"image-aca32de1a7aabeb6483e370351a2bb548313f9fd-2000x1333-jpg","landscape",1.5003750937734435,"https://cdn.sanity.io/images/w19bax1v/production/aca32de1a7aabeb6483e370351a2bb548313f9fd-2000x1333.jpg","Galleria Giustini / Stagetti",[269,319],{"_type":270,"text":271},"textBlock",[272,280,288,296,303,311],{"_key":273,"_type":36,"children":274,"markDefs":279,"style":53},"79a454510810",[275],{"_key":276,"_type":40,"marks":277,"text":278},"5373ac50c766",[],"Different in origin, education, and generation, Andrea Anastasio and Giacomo Moor have each independently intervened in the two exhibition space, presenting site-specific projects conceived exclusively for the gallery. ",[],{"_key":281,"_type":36,"children":282,"markDefs":287,"style":53},"2c0f862d446a",[283],{"_key":284,"_type":40,"marks":285,"text":286},"37fd80e110aa",[],"The “Funambolo” collection designed by Giacomo Moor is inspired by the poetic imagery of acrobats who stand out against the horizon, creating pure and essential lines. A turned cylinder, composed by a long wooden arm and a shorter metal one made of the same color, leans on a rod and finds its balance in an unexpected joint, far from its center, in a sort of magical suspension. A led strip is built-in in the wooden part of the rod and can be directed by a simple rotation along its length, the magnetic conduction allows the electrical passage through the contact between the two overlapped arms.",[],{"_key":289,"_type":36,"children":290,"markDefs":295,"style":53},"6b5a4b3bb14e",[291],{"_key":292,"_type":40,"marks":293,"text":294},"64a5a4119c14",[],"The extreme formal simplicity of the lamp hides a complex investigation to remove the visible technical elements: taking the link between form and function to the extreme results. On view some of the possible variants: a single and a corner suspension, a wall to wall system. A collection of unlimited pieces opened up to as many versions as possible available in three different essences: fossil black oak, rosewood and gray ash, matched, tone on tone, to the respective metallic finishes.",[],{"_key":297,"_type":36,"children":298,"markDefs":302,"style":53},"2489e4b6664f",[299],{"_key":300,"_type":40,"marks":301,"text":230},"fdd171367a9f",[],[],{"_key":304,"_type":36,"children":305,"markDefs":310,"style":53},"00ee7ccca357",[306],{"_key":307,"_type":40,"marks":308,"text":309},"e70934473036",[],"The body of works by Andrea Anastasio, “Un fiore per 12 mesi” (One flower for 12 months) looks with affection to the ruins of modernity with an intention to welcome the unmentionable, the feared, the unexpected, the non-designable into the project; while transforming the incident, what is deeply rooted in our consciences, in a constructive foundation.",[],{"_key":312,"_type":36,"children":313,"markDefs":318,"style":53},"48646fe0449a",[314],{"_key":315,"_type":40,"marks":316,"text":317},"f82c59fc095f",[],"The twelve ceramic vases, unique pieces making up the collection, all come from the same shape, a compositional synthesis of the Roman amphora and the Korean moon vase. After firing, each specimen is broken and, subsequently, its fragments are re-assembled in new entireties thanks to the enamel which, upon melting in the firing, takes on a structural role, allowing the parts to bind together firmly. Throught his process, the original shape of the vase opens up to infinite configurations, both in terms of the substancial and functional. Ceramics, more than other materials, is for Anastasio the page on which for centuries the great narrative of human existence - with its passions, its glories and its poetic fragility - is written, and in the fragments of this long and vulnerable history it is possible to imagine other experiences, other horizons, possible utopias.",[],{"_type":320,"caption":74,"image":321,"settings":325},"imageBlock",{"alt":74,"asset":322},{"_id":323,"height":257,"orientation":173,"ratio":258,"url":324,"width":260},"image-f5a5932ccae335b1567d493bcd9891b1636fb214-1333x2000-jpg","https://cdn.sanity.io/images/w19bax1v/production/f5a5932ccae335b1567d493bcd9891b1636fb214-1333x2000.jpg",{"imageSize":326},"default",{"_type":8,"current":328},"un-fiore-per-12-mesi-funambolo-rome","Un fiore per 12 mesi / Funambolo, Rome",{"_id":331,"_type":138,"authors":332,"dates":365,"featuredImages":368,"location":267,"pageBuilder":382,"seo":74,"slug":425,"title":427},"7d462eca-e52a-481e-adbe-faf644613e6c",[333],{"_id":5,"_type":6,"bioExtended":334,"bioFull":340,"bioShort":356,"profileImage":362,"seo":74,"slug":364,"sortValue":178,"title":10},[335],{"_key":94,"_type":36,"children":336,"markDefs":339,"style":53},[337],{"_key":97,"_type":40,"marks":338,"text":99},[],[],[341,346,351],{"_key":103,"_type":36,"children":342,"markDefs":345,"style":53},[343],{"_key":106,"_type":40,"marks":344,"text":108},[],[],{"_key":111,"_type":36,"children":347,"markDefs":350,"style":53},[348],{"_key":114,"_type":40,"marks":349,"text":116},[],[],{"_key":119,"_type":36,"children":352,"markDefs":355,"style":53},[353],{"_key":122,"_type":40,"marks":354,"text":124},[],[],[357],{"_key":128,"_type":36,"children":358,"markDefs":361,"style":53},[359],{"_key":131,"_type":40,"marks":360,"text":133},[],[],{"alt":74,"asset":363},{"_id":171,"height":172,"orientation":173,"ratio":174,"url":175,"width":176},{"_type":8,"current":9},{"end":366,"start":367},"2015-03-21","2015-02-21",{"landingImage":369,"thumbnailImage":375},{"alt":74,"asset":370},{"_id":371,"height":372,"orientation":173,"ratio":373,"url":374,"width":257},"image-d2c529482bb1088eb6d2d40e382f6c967c5012a0-2000x3000-jpg",3000,0.6666666666666666,"https://cdn.sanity.io/images/w19bax1v/production/d2c529482bb1088eb6d2d40e382f6c967c5012a0-2000x3000.jpg",{"alt":74,"asset":376},{"_id":377,"height":378,"orientation":264,"ratio":379,"url":380,"width":381},"image-bb5d06864cf41af4cd7baa7175895cd8a062b682-5184x3456-jpg",3456,1.5,"https://cdn.sanity.io/images/w19bax1v/production/bb5d06864cf41af4cd7baa7175895cd8a062b682-5184x3456.jpg",5184,[383,409],{"_type":270,"text":384},[385,393,401],{"_key":386,"_type":36,"children":387,"markDefs":392,"style":53},"b7f1c63fd608",[388],{"_key":389,"_type":40,"marks":390,"text":391},"25e2fc583fe9",[],"The one-of-a-kind works designed by Andrea Anastasio for the gallery – tables, carpets and seats – are characterised by the use of materials that are contrasting in its make-up and origin, express the need to symbolically verify the relevance of a constructive process based on the compatibility of jarring juxtapositions.\nThe rigidity and hardness of the stone are, in fact, juxtaposed with the softness and flexibility of the fabric; the spontaneity of geological formations are confronted with the manufactured artefact, the variety of shades and textures found in nature are paired with those industrially produced, as if with in these two poles you could articulate the entire horizon of human habitation.\nThe same approach is used in the processing of the materials. Both the heavy-and-fragile (marble) and those soft (textile) are processed by a combination of traditional craftsmanship and modern technology. The tables, for example, are built by using the ancient gesture of “mending”, which in this case is made with leather laces that are applied to hold together fragments and slabs of marble – like yellow of Siena, the black Belgian, the Levanto red – that we repreviously modelled with the aid of a computerized water jet cutter machine.",[],{"_key":394,"_type":36,"children":395,"markDefs":400,"style":53},"b775b08f2dc1",[396],{"_key":397,"_type":40,"marks":398,"text":399},"f0ddbcb2af87",[],"The making of the carpets follow a similar principle. Strips of handwoven velvet jacquard (Colony-Rome) are cut and edged with industrial machine to be then interlaced by hand thus enhancing the compositional texture by contrasting colours, styles and patterns.",[],{"_key":402,"_type":36,"children":403,"markDefs":408,"style":53},"3d4e38705fb6",[404],{"_key":405,"_type":40,"marks":406,"text":407},"00ec97a54717",[],"Similarly, the idea of enriching the aesthetics and the semantics of a domestic interior is obtained by introducing an innovative and rather subversive chair composed by seemingly unstable and fragile stack of pillows. The “pillow-case” chair is made out of three cushions, upholstered with velvets designed by Raf Simons for Kvadrat, and by silk satin manufactured by Verel de Belval.\nIt transforms the cushion from an accessorial element of interior decoration into a proper and solid piece of furniture.",[],{"_type":410,"images":411,"settings":74},"imagesBlock",[412,418],{"alt":74,"asset":413},{"_id":414,"height":415,"orientation":264,"ratio":416,"url":417,"width":372},"image-54477ff6b8aa21219ea6f46a889c8e8b307d550e-3000x2119-jpg",2119,1.4157621519584709,"https://cdn.sanity.io/images/w19bax1v/production/54477ff6b8aa21219ea6f46a889c8e8b307d550e-3000x2119.jpg",{"alt":74,"asset":419},{"_id":420,"height":421,"orientation":264,"ratio":422,"url":423,"width":424},"image-8418f2570cb64403552a3266c52ebf7f803247b3-4943x3071-jpg",3071,1.6095734288505372,"https://cdn.sanity.io/images/w19bax1v/production/8418f2570cb64403552a3266c52ebf7f803247b3-4943x3071.jpg",4943,{"_type":8,"current":426},"solo-show-rome","Solo show, Rome",{"alt":74,"asset":429},{"_id":171,"height":172,"orientation":173,"ratio":174,"url":175,"width":176},{"_type":8,"current":9},1778622947137]