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C.F. 15246911000",[],[72],{"_type":73,"label":74,"page":75},"internalLink",null,{"_id":76,"_type":77,"seo":74,"slug":78,"title":80},"7f47b73d-575d-4f56-82a5-c2a0c5f2f8c6","pageA",{"_type":8,"current":79},"imprint","Imprint",[82,86],{"_key":83,"_type":50,"title":84,"url":85},"2974397122df","Instagram","https://www.instagram.com/giustinistagetti/",{"_key":87,"_type":50,"title":88,"url":89},"377860ecd4ba","Facebook","https://www.facebook.com/p/Giustini-Stagetti-Roma-100063558789241/",{"author":91},{"_id":5,"_type":6,"bioExtended":92,"bioFull":101,"bioShort":151,"exhibitions":160,"profileImage":296,"seo":74,"slug":298,"sortValue":217,"title":10},[93],{"_key":94,"_type":36,"children":95,"markDefs":100,"style":53},"455448ff1659",[96],{"_key":97,"_type":40,"marks":98,"text":99},"e69090a2243b",[],"Enzo Cucchi (Morro D’Alba, 1949) is a key figure in the Transavanguardia movement. Renowned for his expressive, visionary painting, Cucchi combines various materials and techniques, including ceramics, to create emotional and symbolic works. His use of ceramic represents his belief in the permanence of memory. Collaborating with architects like Mario Botta and Ettore Sottsass, Cucchi has contributed to major projects, such as the mosaic for Tel Aviv's Museum of Art and fountains in various locations. Honored as Commander of Merit of the Italian Republic, Cucchi's works are in prominent collections globally, including the Guggenheim and Tate.",[],[102,110,118,135,143],{"_key":103,"_type":36,"children":104,"markDefs":109,"style":53},"3dd9ad52de52",[105],{"_key":106,"_type":40,"marks":107,"text":108},"31db3aabaef8",[],"Enzo Cucchi was born in Morro D’Alba (Ancona) in 1949.",[],{"_key":111,"_type":36,"children":112,"markDefs":117,"style":53},"637e97425bd7",[113],{"_key":114,"_type":40,"marks":115,"text":116},"efaa3cf39ac6",[],"Considered the most visionary artist among exponents of the neoespressionistic painting current “Transavanguardia”, in the 1980s Enzo Cucchi became internationally renowned. Cucchi sees painting as a means of bringing together a number of forms, concepts, and materials, using the invasive expression of gesture, through which the canvas becomes a receptacle of images and thoughts, the vehicles of a discourse frayed into a thousand suspensions. The presence of disparate symbols, of a classical or dreamlike matrix, torn from the present or memory, overlap and interrelate in the chromatic fabric from which they appear to emerge. The loss of spatial-temporal coordinates and the continuous incursion into a cultural territory and that of the emotions coincides with an unruly use of colours thickened and then streaked, violent and then sketchy and with a wide range of artistic materials and techniques, such as painting, drawing, engraving, mosaic, bronze and ceramics. Cucchi’s long term relation with ceramic – first used as an extra-pictorical material and then as a self-sufficient means of expression – comes from his trust in everlasting things, in memory. Ceramic – one of the most ancient materials – has always inspired the artist for its being a steady point, that has been through history, resisted many things and which he considers one of the most sincere disciplines.",[],{"_key":119,"_type":36,"children":120,"markDefs":134,"style":53},"0e42baf97c2f",[121,125,130],{"_key":122,"_type":40,"marks":123,"text":124},"60738044602c",[],"Cucchi’s interest in the interaction between different arts and disciplines has led him to work in diverse fields (from the visual arts to architecture, design and fashion), and to grasp the importance and fertility of the encounter with other Italian masters. Intuitions such as these gave rise to emblematic collaborations, for instance, with architect Mario Botta, in 1994, for the developing the iconic system of the Santa Maria degli Angeli church, on the Tamaro Mount, in Lugano and, in 2001, with Ettore Sottsass in the conception of publishing projects (",{"_key":126,"_type":40,"marks":127,"text":129},"b968c615ab03",[128],"em","I Disuguali",{"_key":131,"_type":40,"marks":132,"text":133},"877012418d14",[],", a periodical issue of ceramic panels, 2001), in the production of four-handed works, and shared exhibitions, and in 2005-2007, in the creation of the four ceramic fountains for the architectural quadrilateral of the Chiostro della Pace (Peace Cloister) designed by Sottsass for the University Campus in Fisciano (Salerno). Enzo Cucchi has specifically conceived permanent artworks for different cities: the floor mosaic for the Museum of Art in Tel Aviv; the monumental ceramic panel for the Ala Mazzoniana of Termini Station in Rome; the ceramic works for the Stazione Salvator Rosa designed by Mendini in the Naples subway; the mosaic for the audience chamber of the new Palazzo di Giustizia in Pescara; the Votive Arch at the entrance of the Sanctuary of the Madonna della Grotta, donated by the artist to the city of Praia a Mare (Cosenza). His “Ideal Fountains”, commissioned by public Italian and international institutions, are placed worldwide: at the York University in Toronto (“Fontana d’Italia”), in the Louisiana Museum of Modern Art in Humlebaek, Copenhagen, one in front of the Palazzo della Provincia (“Religione”) in Catanzaro and one in the old harbour in Ancona (“Fontana dei due soli”).",[],{"_key":136,"_type":36,"children":137,"markDefs":142,"style":53},"29bbefe6ab3f",[138],{"_key":139,"_type":40,"marks":140,"text":141},"0a8ed47ec07f",[],"On the proposal of the Presidency of the Council of Ministers, on May 2, 2012 the President Giorgio Napolitano honors Enzo Cucchi with the title of Commander of Merit of the Italian Republic. He has been a member of the National Academy of San Luca since 1999.",[],{"_key":144,"_type":36,"children":145,"markDefs":150,"style":53},"86c75d12d92c",[146],{"_key":147,"_type":40,"marks":148,"text":149},"c386b0533d10",[],"Enzo Cucchi has presented numerous solo exhibitions and taken part in collective shows in the most important Italian and foreign museums, such as MAXXI Rome; the Kunsthalle in Basel; the Solomon R. Guggenheim Museum, New York; the Tate Gallery, London; the Centre Georges Pompidou, Paris; Castello di Rivoli, Rivoli (To); Palazzo Reale, Milan; the Sezon Museum of Art, Tokyo; the Academy of France in Rome–Villa Medici, Rome and the Musée d’Art Aoderne, Saint-Étienne Métropole. He has also participated in the most important contemporary art exhibitions internationally, including the Venice Art Biennial, Documenta in Kassel, and the Quadriennale d’Arte in Rome. In 2007 Museum Correr in Venice celebrated Enzo Cucchi’s work through a major monographic exhibition, opening in correspondance with the 52° Venice Art Biennial. His works are in the world’s major museum collections and the most prestigious private collections.",[],[152],{"_key":153,"_type":36,"children":154,"markDefs":159,"style":53},"ea50e7f80daa",[155],{"_key":156,"_type":40,"marks":157,"text":158},"986344579ff4",[],"Enzo Cucchi (Morro D’Alba, 1949)",[],[161],{"_id":162,"_type":163,"authors":164,"dates":218,"featuredImages":221,"location":236,"pageBuilder":237,"seo":74,"slug":293,"title":295},"77ad403e-3a12-46c0-8a9c-2a151d21b63f","exhibition",[165],{"_id":5,"_type":6,"bioExtended":166,"bioFull":172,"bioShort":202,"profileImage":208,"seo":74,"slug":216,"sortValue":217,"title":10},[167],{"_key":94,"_type":36,"children":168,"markDefs":171,"style":53},[169],{"_key":97,"_type":40,"marks":170,"text":99},[],[],[173,178,183,192,197],{"_key":103,"_type":36,"children":174,"markDefs":177,"style":53},[175],{"_key":106,"_type":40,"marks":176,"text":108},[],[],{"_key":111,"_type":36,"children":179,"markDefs":182,"style":53},[180],{"_key":114,"_type":40,"marks":181,"text":116},[],[],{"_key":119,"_type":36,"children":184,"markDefs":191,"style":53},[185,187,189],{"_key":122,"_type":40,"marks":186,"text":124},[],{"_key":126,"_type":40,"marks":188,"text":129},[128],{"_key":131,"_type":40,"marks":190,"text":133},[],[],{"_key":136,"_type":36,"children":193,"markDefs":196,"style":53},[194],{"_key":139,"_type":40,"marks":195,"text":141},[],[],{"_key":144,"_type":36,"children":198,"markDefs":201,"style":53},[199],{"_key":147,"_type":40,"marks":200,"text":149},[],[],[203],{"_key":153,"_type":36,"children":204,"markDefs":207,"style":53},[205],{"_key":156,"_type":40,"marks":206,"text":158},[],[],{"alt":74,"asset":209},{"_id":210,"height":211,"orientation":212,"ratio":213,"url":214,"width":215},"image-05f6008cae322f4b8ec2d153d1e15042ad268b36-2122x3183-jpg",3183,"portrait",0.6666666666666666,"https://cdn.sanity.io/images/w19bax1v/production/05f6008cae322f4b8ec2d153d1e15042ad268b36-2122x3183.jpg",2122,{"_type":8,"current":9},"cucchi",{"end":219,"start":220},"2023-10-28","2023-09-26",{"landingImage":222,"thumbnailImage":228},{"alt":74,"asset":223},{"_id":224,"height":225,"orientation":212,"ratio":213,"url":226,"width":227},"image-5d35b8a04897f41170b463ce5d18297d346f968f-3648x5472-jpg",5472,"https://cdn.sanity.io/images/w19bax1v/production/5d35b8a04897f41170b463ce5d18297d346f968f-3648x5472.jpg",3648,{"alt":74,"asset":229},{"_id":230,"height":231,"orientation":232,"ratio":233,"url":234,"width":235},"image-a181623c500970327b8ec626773112ebaa2f7bfa-5324x3549-jpg",3549,"landscape",1.5001408847562694,"https://cdn.sanity.io/images/w19bax1v/production/a181623c500970327b8ec626773112ebaa2f7bfa-5324x3549.jpg",5324,"Galleria Giustini / Stagetti",[238,285],{"_type":239,"text":240},"textBlock",[241,257,265,273],{"_key":242,"_type":36,"children":243,"markDefs":256,"style":53},"db4d17b52a87",[244,248,252],{"_key":245,"_type":40,"marks":246,"text":247},"a549ad6799c1",[],"Galleria Giustini / Stagetti is delighted to present the exhibition ",{"_key":249,"_type":40,"marks":250,"text":251},"53fa1f8a47d5",[128],"\"Etruschi..E, Egiziani\"",{"_key":253,"_type":40,"marks":254,"text":255},"2e2a766c133d",[]," dedicated to a unique collection of twenty-three ceramic works by Enzo Cucchi.\nThe exhibition's layout and the catalog text are curated by Pippo Ciorra.",[],{"_key":258,"_type":36,"children":259,"markDefs":264,"style":53},"11a567843ed0",[260],{"_key":261,"_type":40,"marks":262,"text":263},"8bdc2cba769c",[],"Once again, the artist becomes a time traveler, evoking ancestral symbols and ancient tales, inviting us to explore the profound connection with the roots of our culture and the eternal allure of myths that have bound us together since time immemorial. Amidst dreams and reality, mythological figures and tradition, Cucchi's work is an intimate fresco of our inner restlessness—an enchanted dimension where past and present blend.",[],{"_key":266,"_type":36,"children":267,"markDefs":272,"style":53},"25b0b7c85b72",[268],{"_key":269,"_type":40,"marks":270,"text":271},"fd1f44a007eb",[],"The exhibited ceramics reveal the author's narrative complexity, conflicts, and overlapping visions in the pursuit of the unknown and the enchantment that is the human condition. For Cucchi, terracotta is both raw material and a repository of everyday objects' memory, a surface on which to work not through subtraction but addition, with three-dimensional inserts that welcome intrusions, mixtures, pigments, and claim space. The material becomes poetry, opening a window to infinity and offering a profound view of human essence and the natural world.",[],{"_key":274,"_type":36,"children":275,"markDefs":284,"style":53},"963b1e8bdee1",[276,280],{"_key":277,"_type":40,"marks":278,"text":279},"f8f5183b1cf0",[],"As Ciorra writes: ",{"_key":281,"_type":40,"marks":282,"text":283},"0701d169168d",[128],"“We move from almost abstract shapes, defined by a hypothetical function—and thus by the actual measurements needed to make an effective, or at least reliable, vase—to human or animal figures true-to-scale or scaled differently, interlocked or overlapping. Here again, to the question of Cucchi's relationship with reality (or with representation) there is no linear answer. There is only the zigzagging thread of his creative path, introspective and, at the same time, attracted to whatever enters his field of vision”.",[],{"_type":286,"caption":74,"image":287,"settings":291},"imageBlock",{"alt":74,"asset":288},{"_id":289,"height":225,"orientation":212,"ratio":213,"url":290,"width":227},"image-76a86c8a5fc73d04e1b7b8f26b79f192ac346954-3648x5472-jpg","https://cdn.sanity.io/images/w19bax1v/production/76a86c8a5fc73d04e1b7b8f26b79f192ac346954-3648x5472.jpg",{"imageSize":292},"default",{"_type":8,"current":294},"etruschi-e-egiziani-rome","Etruschi.. E, Egiziani, Rome",{"alt":74,"asset":297},{"_id":210,"height":211,"orientation":212,"ratio":213,"url":214,"width":215},{"_type":8,"current":9},1778622947999]