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His work combined the roles of artist, designer, and theorist, and he authored fifteen educational and political books.",[],{"_key":136,"_type":8,"children":137,"markDefs":142,"style":25},"ab1b5f295660",[138],{"_key":139,"_type":12,"marks":140,"text":141},"417a7d9fbf38",[],"His works are housed in prestigious permanent collections, including those of the Museum of Modern Art in New York, La Galleria d’Arte Moderna in Rome, the Musée des Arts Décoratifs at the Palais du Louvre in Paris, the Center d'Art Santa Mònica in Barcelona, the Kaiser Wilhelm Museum in Krefeld, the Zagreb Museum of Contemporary Art, and other public and private collections.",[],{"_key":144,"_type":8,"children":145,"markDefs":150,"style":25},"30c229dc4dfd",[146],{"_key":147,"_type":12,"marks":148,"text":149},"306d8e7fd044",[],"He taught at several universities in Italy, Vienna, and Berlin.",[],{"_key":152,"_type":8,"children":153,"markDefs":166,"style":25},"eb03760926b6",[154,158,162],{"_key":155,"_type":12,"marks":156,"text":157},"767d5bbe5095",[],"Mari was awarded the Compasso d’Oro five times, first in 1967 for \"individual design research\" and lastly in 2011 for his lifetime achievements. 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The surfaces’ strength and shine result from the application of successive layers of lacquer - alternating whetstones sharpening and sandpaper processes - and a meticulous final polishing. Some lacquering methods require a total of more than 100 steps, applied by skilled artists inside sealed, perfectly clean, temperature- and humidity - controlled rooms.",[],{"_key":348,"_type":8,"children":349,"markDefs":361,"style":25},"313e16bb4d24",[350,354,357],{"_key":351,"_type":12,"marks":352,"text":353},"d76c103125b8",[],"Masato Hayashi, owner of MaruTomi, after working with Ettore Sottsass, was introduced to Enzo Mari by Masanori Umeda and his daughter Nanae and was immediately impressed by his design methodology, which always gave essentiality and coherence to his projects. 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