[{"data":1,"prerenderedAt":1234},["ShallowReactive",2],{"sanity-JGoQSbHL5U":3,"sanity-Ntct3f9W7y":26,"sanity-Bps9EbaqsD":84,"sanity-C83Tcm5oKi":1223},{"author":4,"authorTypes":5,"productTypes":18},null,[6,13],{"_id":7,"_type":8,"slug":9,"title":12},"ee9e3677-1555-491d-8071-490535e93948","authorType",{"_type":10,"current":11},"slug","modern","Modern",{"_id":14,"_type":8,"slug":15,"title":17},"749512dd-47d0-4d11-ab02-c9f8c78bed92",{"_type":10,"current":16},"contemporary","Contemporary",[19,23],{"_id":20,"_type":21,"slug":22,"title":12},"07631afe-8497-4b4e-a756-616fd241903d","productType",{"_type":10,"current":11},{"_id":24,"_type":21,"slug":25,"title":17},"eed9b354-e692-409a-a36d-0b6ddc95c772",{"_type":10,"current":16},{"settings":27},{"footerColumnA":28,"footerColumnB":49,"footerItems":66,"socialLinks":75},[29],{"_key":30,"_type":31,"children":32,"markDefs":43,"style":48},"c9d979c2f8bf","block",[33,38],{"_key":34,"_type":35,"marks":36,"text":37},"4b62619e153b","span",[],"T: +39 0687652093\nE: ",{"_key":39,"_type":35,"marks":40,"text":42},"8751da97e31e",[41],"e1f7e54b7c03","info@giustinistagetti.com",[44],{"_key":41,"_type":45,"blank":46,"href":47},"link",true,"mailto:info@giustinistagetti.com","normal",[50,58],{"_key":51,"_type":31,"children":52,"markDefs":57,"style":48},"6b0afc71d83d",[53],{"_key":54,"_type":35,"marks":55,"text":56},"f57c42df265e",[],"Via Gregoriana 41\n00187 Rome\nItaly",[],{"_key":59,"_type":31,"children":60,"markDefs":65,"style":48},"324824f06de8",[61],{"_key":62,"_type":35,"marks":63,"text":64},"aae534659c9f",[],"Giusta S.r.l.s.\nP.I. C.F. 15246911000",[],[67],{"_type":68,"label":4,"page":69},"internalLink",{"_id":70,"_type":71,"seo":4,"slug":72,"title":74},"7f47b73d-575d-4f56-82a5-c2a0c5f2f8c6","pageA",{"_type":10,"current":73},"imprint","Imprint",[76,80],{"_key":77,"_type":45,"title":78,"url":79},"2974397122df","Instagram","https://www.instagram.com/giustinistagetti/",{"_key":81,"_type":45,"title":82,"url":83},"377860ecd4ba","Facebook","https://www.facebook.com/p/Giustini-Stagetti-Roma-100063558789241/",{"authorsPage":85,"type":90},{"_id":86,"_type":86,"seo":4,"slug":87,"title":89},"authorsPage",{"_type":10,"current":88},"authors","Authors",{"_id":14,"_type":8,"authors":91,"seo":4,"slug":1222,"title":17},[92,150,222,286,332,389,469,552,598,668,759,820,883,989,1061,1101,1141],{"_id":93,"_type":94,"bioExtended":95,"bioFull":104,"bioShort":129,"profileImage":138,"seo":4,"slug":146,"sortValue":148,"title":149},"dfbd885d-482d-46a7-8f07-c92daf9b35b1","author",[96],{"_key":97,"_type":31,"children":98,"markDefs":103,"style":48},"73c16e78ae88",[99],{"_key":100,"_type":35,"marks":101,"text":102},"be462c770bee",[],"Andrea Anastasio (Rome, 1961) is a multidisciplinary artist with a background in street performance, art history, and philosophy. In the ’80s and ’90s, he traveled extensively in India, working with UNESCO and studying Indian art and philosophy. Anastasio has collaborated with architectural firms and designed for companies like Artemide and Memphis-Milan. His work blends industrial processes with traditional craftsmanship, focusing on domestic objects and materials. Through simple gestures like assemblage and weaving, he challenges perceptions of reality, exploring themes of temporality and human fragility. His creations emphasize the contradictions of human existence, often evoked in domestic spaces.",[],[105,113,121],{"_key":106,"_type":31,"children":107,"markDefs":112,"style":48},"fae46e4f3bec",[108],{"_key":109,"_type":35,"marks":110,"text":111},"17b4f330ff3e",[],"In the ’70s Andrea Anastasio (Rome, 1961) is a member of MTM and is trained in street performance at the school of circus with Roy Bosier and Jango Edwards. He studies art history and oriental studies in Rome and at I.S.M.E.O.. Later he obtains his M.A.in philosophy in Venice. Throughout the ’80s and ’90s he travels extensively in India, studying Indian art history and philosophy. He works at the cataloguing of Islamic architecture in India for UNESCO and at the publication of the teaching of J. Krishnamurti at the K.F.I. Foundation in Madras. In the same years he collaborates with UDRI in Bombay and with the architectural firm Rahul Mehrotra & Associates-Bombay. He works at identifying and cataloguing craft and building techniques in the rural areas of India.",[],{"_key":114,"_type":31,"children":115,"markDefs":120,"style":48},"6fd89cd2a95f",[116],{"_key":117,"_type":35,"marks":118,"text":119},"3df9b8ec5bca",[],"He designs for Italian companies such as Artemide, Memphis-Milan and Danese, connoting his projects of hybridizations of the industrial production processes with craft procedures and by the use of hand made materials that are then industrially finished. Since 2002 his work focuses on manipulating objects and materials of domestic usage and consumer-goods. By reiterating simple gestures or craft techniques like assemblage, weaving, collage, etc. or just by juxtaposing objects, underlining gestures and aspects of daily life that normally go unnoticed, Anastasio’s work generates linguistic short-circuits that challenge the common perception and definition of reality. By the making of objects, pictures, drawings, books and videos, his research focuses on temporality, fragility of human condition, on the definition of reality. He approaches domestic space as the privileged stage where the contradictions of human existence can be evoked and re-enacted.",[],{"_key":122,"_type":31,"children":123,"markDefs":128,"style":48},"5caf2f95c905",[124],{"_key":125,"_type":35,"marks":126,"text":127},"eb5fa5d8a0ad",[],"Andrea Anastasio’s works here presented have been conceived exclusively for the gallery within its territorial survey aimed at identifying Roman authors operating in contemporary design with an international attitude combined with a deeply rooted cultural vocation to the genius loci and whose direction of research leads them to exploit techniques and materials of the Roman and Italian artistic and artisanal tradition.",[],[130],{"_key":131,"_type":31,"children":132,"markDefs":137,"style":48},"ab8b42839a7a",[133],{"_key":134,"_type":35,"marks":135,"text":136},"70964bac30ec",[],"Andrea Anastasio (Rome, 1961)",[],{"alt":4,"asset":139},{"_id":140,"height":141,"orientation":142,"ratio":143,"url":144,"width":145},"image-3a076863bed01a0de511ae5999b0a2ae635e5384-640x962-png",962,"portrait",0.6652806652806653,"https://cdn.sanity.io/images/w19bax1v/production/3a076863bed01a0de511ae5999b0a2ae635e5384-640x962.png",640,{"_type":10,"current":147},"andrea-anastasio","anastasio ","Andrea Anastasio ",{"_id":151,"_type":94,"bioExtended":152,"bioFull":169,"bioShort":202,"profileImage":211,"seo":4,"slug":218,"sortValue":220,"title":221},"a645b187-aca0-40f3-a539-cc192d3faf24",[153,161],{"_key":154,"_type":31,"children":155,"markDefs":160,"style":48},"5b2176c916a0",[156],{"_key":157,"_type":35,"marks":158,"text":159},"8859023251b7",[],"Annarita Aversa (Salerno, 1983), an architect trained at La Sapienza University of Rome and ETSAB University of Barcelona, has worked with leading European architectural firms. Focused on her Amalfi Coast roots, she founded Architetti Artigiani Anonimi in 2013. The studio engages in various architectural scales, promoting the identity of each place while considering its temporal, architectural, and cultural context. Aversa's current research includes the Molino Nuovo project in Salerno, private architectural designs, and preservation methods for the Amalfi Coast’s architectural and landscape heritage, in collaboration with the Center of Culture and History of Amalfi.",[],{"_key":162,"_type":31,"children":163,"markDefs":168,"style":48},"5e7b2323357a",[164],{"_key":165,"_type":35,"marks":166,"text":167},"003259c880f9",[],"",[],[170,178,186,194],{"_key":171,"_type":31,"children":172,"markDefs":177,"style":48},"50a3b496c55a",[173],{"_key":174,"_type":35,"marks":175,"text":176},"28df97a788af",[],"Annarita Aversa, architect, was trained at the “La Sapienza” University of Rome and at the ETSAB University of Barcelona; after having collaborated with some of the most interesting architectural firms in the European panorama – in Holland, in Spain and in Milan – she decides to deal with her territory of origin, the Amalfi coast, through participatory planning initiatives such as “Due Punti Architettura” listed by the MAXXI Museum in the “Independent Project” and through other independent cultural initiatives in Italy.",[],{"_key":179,"_type":31,"children":180,"markDefs":185,"style":48},"64425233d791",[181],{"_key":182,"_type":35,"marks":183,"text":184},"29273e745167",[],"In 2013, she founded her studio Architetti Artigiani Anonimi, based in Milan.",[],{"_key":187,"_type":31,"children":188,"markDefs":193,"style":48},"0437ce62411c",[189],{"_key":190,"_type":35,"marks":191,"text":192},"362bb0c93c48",[],"The studio works on the different scales of architecture, elaborating and synthesizing in each project the complexity of the temporal, architectural and cultural context, and promoting the identity of each place.",[],{"_key":195,"_type":31,"children":196,"markDefs":201,"style":48},"9924f2680788",[197],{"_key":198,"_type":35,"marks":199,"text":200},"52a534cb30d3",[],"Annarita Aversa is currently carrying out a research project based on the recovery of empathy between man and living space for the “Molino Nuovo” project in Salerno, taking care of the architectural design, various architectural projects for private clients and a project for the elaboration of methods for preservation of the architectural and landscape heritage of the Amalfi coast, in collaboration with the Center of Culture and History of Amalfi.",[],[203],{"_key":204,"_type":31,"children":205,"markDefs":210,"style":48},"6ca617c50bdf",[206],{"_key":207,"_type":35,"marks":208,"text":209},"fafbb576cd2d",[],"Annarita Aversa (Salerno, 1983)",[],{"alt":4,"asset":212},{"_id":213,"height":214,"orientation":142,"ratio":215,"url":216,"width":217},"image-75110d0a387e7f0e0b5f69be51627894e42645ed-600x900-jpg",900,0.6666666666666666,"https://cdn.sanity.io/images/w19bax1v/production/75110d0a387e7f0e0b5f69be51627894e42645ed-600x900.jpg",600,{"_type":10,"current":219},"annarita-aversa","aversa","Annarita Aversa",{"_id":223,"_type":94,"bioExtended":224,"bioFull":233,"bioShort":266,"profileImage":275,"seo":4,"slug":282,"sortValue":284,"title":285},"ac62effa-2fa4-4989-888c-b5393469be6b",[225],{"_key":226,"_type":31,"children":227,"markDefs":232,"style":48},"f13927d214e1",[228],{"_key":229,"_type":35,"marks":230,"text":231},"f2a9552fd3a3",[],"Anton Alvarez (Stockholm, 1980), a 2012 graduate of the Royal College of Art, combines cabinetmaking, interior architecture, and furniture design. His work blends furniture and sculpture, often involving the invention of machines. One machine uses thread, pigment, and glue to bind materials like wood and cords, creating visible, wrapped designs. Alvarez’s second machine, the Extruder, shapes clay using pressure. Continuously experimenting, Alvarez creates functional and decorative pieces by building his own tools. His work has been showcased internationally in solo and group exhibitions at venues like the V&A, London, and Design Museum, London. His current work explores architectural and design cross-contamination.",[],[234,242,250,258],{"_key":235,"_type":31,"children":236,"markDefs":241,"style":48},"83125e0f9541",[237],{"_key":238,"_type":35,"marks":239,"text":240},"2b3924b50324",[],"Currently Stockholm based Swedish-Chilean Anton Alvarez is a 2012 graduate from the Royal College of Art in London. Alvarez originally studied cabinetmaking before completing an Interior Architecture and Furniture Design course at Konstfack. Alvarez’s work focuses on the design of systems and the creation of tools and processes for designing products, objects and architecture.",[],{"_key":243,"_type":31,"children":244,"markDefs":249,"style":48},"d284f3a082ee",[245],{"_key":246,"_type":35,"marks":247,"text":248},"16de29a5cd3f",[],"Anton Alvarez’s approach combines many different disciplines and his work is seemingly a hybrid between furniture and sculpture. He has invented several machines, one of which uses thread, pigment and glue to bind together materials such as scraps of wood and electrical cords to create piece of furniture. This process allows to incrementally add components to shape objects while making the wrapping process visible through the coloured threads. He created a second machine, which is called the Extruder, and consists of a large metal cylinder supported by a metal base that contorts clay into shapes by applying pressure to the wet material, squeezing it out into shapes. Continuously experimenting and building his own tools and machines, Alvarez aim is to achieve unexpected and unprecedented forms, producing both decorative and functional pieces.",[],{"_key":251,"_type":31,"children":252,"markDefs":257,"style":48},"4635493576b4",[253],{"_key":254,"_type":35,"marks":255,"text":256},"6b62fce891d4",[],"Alvarez work has been presented internationally in numerous solo and group shows including Clay Keramikmuseum Denmark, Middelfart ; Espace Muraille, Geneva; , Gallery Christian Larsen, Stockholm; Christie’s, London; Uppsala Konstmuseum, Uppsala; Xue Xue institute, Taipei; Salon 94, New York, USA ; the National Centre for Craft & Design, Lincolnshire; Design Museum, London; V&A, London.",[],{"_key":259,"_type":31,"children":260,"markDefs":265,"style":48},"be70c2b638e6",[261],{"_key":262,"_type":35,"marks":263,"text":264},"619b374f2341",[],"Anton Alvarez’s work here presented is part of a collection he is designing exclusively for the gallery within a field of research that focuses on the theme of interdisciplinary cross-contamination between architecture and design, and on the deployment of the instruments, methods and materials of traditional workmanship.",[],[267],{"_key":268,"_type":31,"children":269,"markDefs":274,"style":48},"d52f725ed38d",[270],{"_key":271,"_type":35,"marks":272,"text":273},"d5d59c63ae10",[],"Anton Alvarez (Stockholm, 1980)",[],{"alt":4,"asset":276},{"_id":277,"height":278,"orientation":142,"ratio":279,"url":280,"width":281},"image-7f0417cdcf532de830816e70754cc93390210213-678x1006-png",1006,0.6739562624254473,"https://cdn.sanity.io/images/w19bax1v/production/7f0417cdcf532de830816e70754cc93390210213-678x1006.png",678,{"_type":10,"current":283},"anton-alvarez","alvarez","Anton Alvarez",{"_id":287,"_type":94,"bioExtended":288,"bioFull":297,"bioShort":306,"profileImage":323,"seo":4,"slug":329,"sortValue":331,"title":313},"ac811699-516a-4558-a8ad-c5576b8eda79",[289],{"_key":290,"_type":31,"children":291,"markDefs":296,"style":48},"ffc68ef88726",[292],{"_key":293,"_type":35,"marks":294,"text":295},"9aa9e74afb26",[],"Since 1983, brothers Fernando (1961-2022) and Humberto (1953) Campana have been pioneers of disruptive design, creating a unique language deeply rooted in Brazilian culture. Their work, which integrates transformation, reinvention, and everyday materials, highlights universal values like freedom and human dignity. Estudio Campana, based in Sao Paulo, explores diverse fields including furniture, architecture, and fashion. Their pieces are in collections of renowned institutions like MoMA, Centre Pompidou, and the Vitra Design Museum. Recognized globally, they’ve won numerous awards, including Designer of the Year at Design/Miami (2008) and the Colbert Committee Award (2012).",[],[298],{"_key":299,"_type":31,"children":300,"markDefs":305,"style":48},"98a641622147",[301],{"_key":302,"_type":35,"marks":303,"text":304},"eb31e70df712",[],"Since 1983, brothers Fernando (1961-2022) and Humberto (1953) Campana, co-founders of Estudio Campana, have been solidly building their career, achieving both national and international recognition. In 2019, the studio celebrated its 35th anniversary acknowledged as pioneers of disruptive design, which led them to create a groundbreaking language in their field. Strongly rooted in Brazilian culture and traditions, their work carries yet universal values in its core, such as freedom and human dignity, by encouraging self-identity searching through life experiences. Incorporating the idea of transformation and reinvention, their creative process raises everyday materials to nobility, bringing not only creativity into design, but also Brazilian characteristics – the colors, the mixtures, the creative chaos – the triumph of simple solutions, in an artistic and poetic way.\nBased in Sao Paulo, Estudio Campana is constantly investigating new possibilities within design: from furniture making to architecture, landscaping, fashion, scenography and more. Working in partnership with different brands and industries, and liaising with communities and artists around the world keeps the Estudio Campana repertoire fresh. Their pieces are part of permanent collections of renowned cultural institutions such as Centre Pompidou and the Musée Des Arts Décoratifs, Paris, MoMa, New York, Museum of Modern Art of Sao Paulo and also Vitra Design Museum, Weil am Rhein.\nThe Campana brothers are currently listed as one of the world’s top iconic architects at Interni (2018). In 2015 and 2014 Wallpaper ranked them, respectively, among the 100 most important and 200 greatest design professionals. In 2013, they were listed by Forbes magazine among the 100 most influential Brazilian personalities. In 2012, Fernando and Humberto Campana were selected for the Colbert Committee Award in Paris; honored by Design Week in Beijing; received the Order of Cultural Merit in Brasilia, and were awarded the Order of Arts and Letters by the French Ministry of Culture, and elected Designers of the Year by Maison & Objet de Paris. In 2008, they received the Design/Miami Designer of the Year award. In March 2020 the major exhibition ever dedicated to the Campana Brothers, “35 Revolutions” has been inaugurated at the MAM – Museum of Modern Art of Rio de Janeiro. The exhibition celebrates the 35 years of the Campana Brothers’ career and gather together some of their most memorable and iconic works, including pieces from the Brazilian Baroque Collection.",[],[307,315],{"_key":308,"_type":31,"children":309,"markDefs":314,"style":48},"1f3be11cfaaa",[310],{"_key":311,"_type":35,"marks":312,"text":313},"2e4516cd56f3",[],"Campana Brothers",[],{"_key":316,"_type":31,"children":317,"markDefs":322,"style":48},"79dc9e13715f",[318],{"_key":319,"_type":35,"marks":320,"text":321},"66739e0f2801",[],"Fernando (Brotas, 1961 - 2022) and Humberto (1953) Campana",[],{"alt":4,"asset":324},{"_id":325,"height":326,"orientation":142,"ratio":215,"url":327,"width":328},"image-89053c82db5849d4ec778b5925b198296bb6d83f-3672x5508-jpg",5508,"https://cdn.sanity.io/images/w19bax1v/production/89053c82db5849d4ec778b5925b198296bb6d83f-3672x5508.jpg",3672,{"_type":10,"current":330},"campana-brothers","campana",{"_id":333,"_type":94,"bioExtended":334,"bioFull":343,"bioShort":368,"profileImage":377,"seo":4,"slug":385,"sortValue":387,"title":388},"97e43ea4-889d-4498-be15-0527619e0672",[335],{"_key":336,"_type":31,"children":337,"markDefs":342,"style":48},"b43775608338",[338],{"_key":339,"_type":35,"marks":340,"text":341},"b0d35a688837",[],"Edgar Jayet founded an interior architecture and design studio between Paris and Venice in 2021. Both speculative and operative, his work is born of thoughts before being embodied in matter and space. Firmly believing that contemporary creation cannot be conceived independently of its past, the studio seeks to position its projects in continuity with History and traditional techniques, building a cultivated dialogue between collectors and high craftsmanship. All interior projects and collections stem from the values held by the studio: committed to offering spaces and pieces that do not compromise when it comes to quality and technique, and continuously push craftsmen towards excellence. Edgar Jayet has built a strong relationship with institutions – his pieces of furniture are integrated into the Mobilier National state collections, as well as furnishing the Musée Condé – Château de Chantilly, or being part of the renovation of the Villa Médicis – Académie de France à Rome.",[],[344,352,360],{"_key":345,"_type":31,"children":346,"markDefs":351,"style":48},"5027d5f61368",[347],{"_key":348,"_type":35,"marks":349,"text":350},"be846d4aee8f",[],"Edgar Jayet is a French interior architect and designer who founded his eponymous studio between Paris and Venice in 2021. His practice operates at the intersection of speculative thinking and built reality, where each project originates from a conceptual reflection before taking form in material and space. Deeply rooted in the belief that contemporary creation must remain in dialogue with its past, the studio situates its work within a continuum of history, drawing from traditional techniques and cultural heritage.",[],{"_key":353,"_type":31,"children":354,"markDefs":359,"style":48},"fd53cb4cd4c0",[355],{"_key":356,"_type":35,"marks":357,"text":358},"c48c6b2e873f",[],"Jayet’s approach fosters a refined exchange between collectors, artisans, and institutions, emphasizing the enduring value of craftsmanship. The studio is committed to producing interiors and collectible pieces that uphold the highest standards of quality and technical excellence, while continuously challenging artisans to push the boundaries of their expertise.",[],{"_key":361,"_type":31,"children":362,"markDefs":367,"style":48},"d066bed3880d",[363],{"_key":364,"_type":35,"marks":365,"text":366},"48fd3fc7f8b4",[],"Over time, Edgar Jayet has developed strong relationships with leading cultural institutions. His furniture pieces have entered the prestigious Mobilier National collections, and his work has contributed to significant sites such as the Musée Condé at the Château de Chantilly and the Villa Médicis – Académie de France à Rome. Through these collaborations, his practice reinforces a dialogue between contemporary design and historical legacy.",[],[369],{"_key":370,"_type":31,"children":371,"markDefs":376,"style":48},"f297466b8bb5",[372],{"_key":373,"_type":35,"marks":374,"text":375},"1c68b273c2a8",[],"Edgar Jayet (Paris, 1997)",[],{"alt":378,"asset":379},"Portrait of Designer and Interior Architect Edgar Jayet",{"_id":380,"height":381,"orientation":142,"ratio":382,"url":383,"width":384},"image-07da600c922ca1deef1e849b7d77a79eaad931e3-3075x4100-jpg",4100,0.75,"https://cdn.sanity.io/images/w19bax1v/production/07da600c922ca1deef1e849b7d77a79eaad931e3-3075x4100.jpg",3075,{"_type":10,"current":386},"edgar-jayet","jayet","Edgar Jayet",{"_id":390,"_type":94,"bioExtended":391,"bioFull":400,"bioShort":450,"profileImage":459,"seo":4,"slug":465,"sortValue":467,"title":468},"59c14861-3765-4b64-a0f5-7c9c84d7856d",[392],{"_key":393,"_type":31,"children":394,"markDefs":399,"style":48},"455448ff1659",[395],{"_key":396,"_type":35,"marks":397,"text":398},"e69090a2243b",[],"Enzo Cucchi (Morro D’Alba, 1949) is a key figure in the Transavanguardia movement. Renowned for his expressive, visionary painting, Cucchi combines various materials and techniques, including ceramics, to create emotional and symbolic works. His use of ceramic represents his belief in the permanence of memory. Collaborating with architects like Mario Botta and Ettore Sottsass, Cucchi has contributed to major projects, such as the mosaic for Tel Aviv's Museum of Art and fountains in various locations. Honored as Commander of Merit of the Italian Republic, Cucchi's works are in prominent collections globally, including the Guggenheim and Tate.",[],[401,409,417,434,442],{"_key":402,"_type":31,"children":403,"markDefs":408,"style":48},"3dd9ad52de52",[404],{"_key":405,"_type":35,"marks":406,"text":407},"31db3aabaef8",[],"Enzo Cucchi was born in Morro D’Alba (Ancona) in 1949.",[],{"_key":410,"_type":31,"children":411,"markDefs":416,"style":48},"637e97425bd7",[412],{"_key":413,"_type":35,"marks":414,"text":415},"efaa3cf39ac6",[],"Considered the most visionary artist among exponents of the neoespressionistic painting current “Transavanguardia”, in the 1980s Enzo Cucchi became internationally renowned. Cucchi sees painting as a means of bringing together a number of forms, concepts, and materials, using the invasive expression of gesture, through which the canvas becomes a receptacle of images and thoughts, the vehicles of a discourse frayed into a thousand suspensions. The presence of disparate symbols, of a classical or dreamlike matrix, torn from the present or memory, overlap and interrelate in the chromatic fabric from which they appear to emerge. The loss of spatial-temporal coordinates and the continuous incursion into a cultural territory and that of the emotions coincides with an unruly use of colours thickened and then streaked, violent and then sketchy and with a wide range of artistic materials and techniques, such as painting, drawing, engraving, mosaic, bronze and ceramics. Cucchi’s long term relation with ceramic – first used as an extra-pictorical material and then as a self-sufficient means of expression – comes from his trust in everlasting things, in memory. Ceramic – one of the most ancient materials – has always inspired the artist for its being a steady point, that has been through history, resisted many things and which he considers one of the most sincere disciplines.",[],{"_key":418,"_type":31,"children":419,"markDefs":433,"style":48},"0e42baf97c2f",[420,424,429],{"_key":421,"_type":35,"marks":422,"text":423},"60738044602c",[],"Cucchi’s interest in the interaction between different arts and disciplines has led him to work in diverse fields (from the visual arts to architecture, design and fashion), and to grasp the importance and fertility of the encounter with other Italian masters. Intuitions such as these gave rise to emblematic collaborations, for instance, with architect Mario Botta, in 1994, for the developing the iconic system of the Santa Maria degli Angeli church, on the Tamaro Mount, in Lugano and, in 2001, with Ettore Sottsass in the conception of publishing projects (",{"_key":425,"_type":35,"marks":426,"text":428},"b968c615ab03",[427],"em","I Disuguali",{"_key":430,"_type":35,"marks":431,"text":432},"877012418d14",[],", a periodical issue of ceramic panels, 2001), in the production of four-handed works, and shared exhibitions, and in 2005-2007, in the creation of the four ceramic fountains for the architectural quadrilateral of the Chiostro della Pace (Peace Cloister) designed by Sottsass for the University Campus in Fisciano (Salerno). Enzo Cucchi has specifically conceived permanent artworks for different cities: the floor mosaic for the Museum of Art in Tel Aviv; the monumental ceramic panel for the Ala Mazzoniana of Termini Station in Rome; the ceramic works for the Stazione Salvator Rosa designed by Mendini in the Naples subway; the mosaic for the audience chamber of the new Palazzo di Giustizia in Pescara; the Votive Arch at the entrance of the Sanctuary of the Madonna della Grotta, donated by the artist to the city of Praia a Mare (Cosenza). His “Ideal Fountains”, commissioned by public Italian and international institutions, are placed worldwide: at the York University in Toronto (“Fontana d’Italia”), in the Louisiana Museum of Modern Art in Humlebaek, Copenhagen, one in front of the Palazzo della Provincia (“Religione”) in Catanzaro and one in the old harbour in Ancona (“Fontana dei due soli”).",[],{"_key":435,"_type":31,"children":436,"markDefs":441,"style":48},"29bbefe6ab3f",[437],{"_key":438,"_type":35,"marks":439,"text":440},"0a8ed47ec07f",[],"On the proposal of the Presidency of the Council of Ministers, on May 2, 2012 the President Giorgio Napolitano honors Enzo Cucchi with the title of Commander of Merit of the Italian Republic. He has been a member of the National Academy of San Luca since 1999.",[],{"_key":443,"_type":31,"children":444,"markDefs":449,"style":48},"86c75d12d92c",[445],{"_key":446,"_type":35,"marks":447,"text":448},"c386b0533d10",[],"Enzo Cucchi has presented numerous solo exhibitions and taken part in collective shows in the most important Italian and foreign museums, such as MAXXI Rome; the Kunsthalle in Basel; the Solomon R. Guggenheim Museum, New York; the Tate Gallery, London; the Centre Georges Pompidou, Paris; Castello di Rivoli, Rivoli (To); Palazzo Reale, Milan; the Sezon Museum of Art, Tokyo; the Academy of France in Rome–Villa Medici, Rome and the Musée d’Art Aoderne, Saint-Étienne Métropole. He has also participated in the most important contemporary art exhibitions internationally, including the Venice Art Biennial, Documenta in Kassel, and the Quadriennale d’Arte in Rome. In 2007 Museum Correr in Venice celebrated Enzo Cucchi’s work through a major monographic exhibition, opening in correspondance with the 52° Venice Art Biennial. His works are in the world’s major museum collections and the most prestigious private collections.",[],[451],{"_key":452,"_type":31,"children":453,"markDefs":458,"style":48},"ea50e7f80daa",[454],{"_key":455,"_type":35,"marks":456,"text":457},"986344579ff4",[],"Enzo Cucchi (Morro D’Alba, 1949)",[],{"alt":4,"asset":460},{"_id":461,"height":462,"orientation":142,"ratio":215,"url":463,"width":464},"image-05f6008cae322f4b8ec2d153d1e15042ad268b36-2122x3183-jpg",3183,"https://cdn.sanity.io/images/w19bax1v/production/05f6008cae322f4b8ec2d153d1e15042ad268b36-2122x3183.jpg",2122,{"_type":10,"current":466},"enzo-cucchi","cucchi","Enzo Cucchi",{"_id":470,"_type":94,"bioExtended":471,"bioFull":480,"bioShort":529,"profileImage":546,"seo":4,"slug":550,"sortValue":551,"title":536},"44a3b707-4325-44ca-91db-9ab9ad834637",[472],{"_key":473,"_type":31,"children":474,"markDefs":479,"style":48},"c4feda3f25b4",[475],{"_key":476,"_type":35,"marks":477,"text":478},"47cac84e164a",[],"Andrea Trimarchi (1983) and Simone Farresin (1980) are Formafantasma, an Italian design duo based in Milan. They graduated from Design Academy Eindhoven in 2009, and their work focuses on experimental material research and the transformation of natural resources into commodities. They collaborate with brands like Fendi, Hermès, and Flos, blending craft and industry. Their designs are in prestigious museums such as MoMA, V&A, and the Centre Georges Pompidou. Formafantasma lectures internationally and leads workshops, including a new Masters program in “GEODESIGN” at Design Academy Eindhoven. They were named Wallpaper* Designer of the Year in 2021.",[],[481,489,497,505,513,521],{"_key":482,"_type":31,"children":483,"markDefs":488,"style":48},"66e13ac17b07",[484],{"_key":485,"_type":35,"marks":486,"text":487},"e81a75d76aa2",[],"Andrea Trimarchi (1983) and Simone Farresin (1980) are Formafantasma, an Italian design duo based in Milano. Their interest in product design developed on the IM master course at Design Academy Eindovhen, where they graduated in July 2009.",[],{"_key":490,"_type":31,"children":491,"markDefs":496,"style":48},"01537ad2e9eb",[492],{"_key":493,"_type":35,"marks":494,"text":495},"679bb471f0be",[],"Since then, Formafantasma’s practice has been characterised by experimental material investigations and detailed explorations of the history, context and implications of the transformation of natural resources into commodities. In perceiving their role as a bridge between craft, industry, object and user, they are interested in forging links between their research-based practice and a wider design industry. As a result, works by Formafantasma have been commisioned by a variety of partners including Fendi, Max Mara – Sportmax, Hermès, Droog, Nudus rug, J&L Lobmeyr, Gallery Libby Sellers, Established and Sons, Lexus, Krizia International and Flos., Gallery Giustini / Stagetti Roma.",[],{"_key":498,"_type":31,"children":499,"markDefs":504,"style":48},"cc0ff53e39bd",[500],{"_key":501,"_type":35,"marks":502,"text":503},"3763aea84e34",[],"Wheter designing for a client or investigating alternative applications of materials, Formafantasma apply the same rigouros attention to context, process and detail to every project the undertake. The added nuance for the duo is that they do so with an eye to the historical, political and social forces that have shaped their environments.",[],{"_key":506,"_type":31,"children":507,"markDefs":512,"style":48},"15e233d752f5",[508],{"_key":509,"_type":35,"marks":510,"text":511},"d36c25e161c4",[],"Their work has been presented and published internationally and museums such as New York’s MoMA, London’s Victoria and Albert, New York’s Metropolitan Museum, the Chicago Art Institute, Paris’s Centre Georges Pompidou, the TextielMuseum in Tilburg, the Stedelijk’s-Hertogenbosch, the Stedelijk Museum Amsterdam, Mudac Lausanne, the Mint Museum of Craft and Design in North Carolina and the MAK Museum in Vienna have all acquired Formafantasma’s designs for their permanent collections.",[],{"_key":514,"_type":31,"children":515,"markDefs":520,"style":48},"7486803768d5",[516],{"_key":517,"_type":35,"marks":518,"text":519},"2f29b09c6960",[],"In March 2011 Paola Antonelli of the Museum of Modern Art in New York and esteemed design critic Alice Rawsthorn listed their studio amongst a handful of practices that would shape the future of design. Andrea and Simone are lecturing and heading workshops in various Universities and Institutions. Currently they are teaching at the “Well Being” and “Contextual Design” Departments of the Design Academy Eindhoven. This exhibition will become the foundation of the new Masters programme that Formafantasma are leading from autumn 2020 at the design Academy Eindhoven, titled “GEODESIGN”. Since October 2016, they have been at the head of the Design bachelor at MADE Program in Siracusa, Italy.",[],{"_key":522,"_type":31,"children":523,"markDefs":528,"style":48},"af1f9684422b",[524],{"_key":525,"_type":35,"marks":526,"text":527},"5d01da72a08f",[],"Formafantasma has been awarded Wallpaper* Designer of the Year 2021.",[],[530,538],{"_key":531,"_type":31,"children":532,"markDefs":537,"style":48},"d23635d39c06",[533],{"_key":534,"_type":35,"marks":535,"text":536},"e086f264d4c9",[],"Formafantasma",[],{"_key":539,"_type":31,"children":540,"markDefs":545,"style":48},"b64f02da9df2",[541],{"_key":542,"_type":35,"marks":543,"text":544},"2529a373ea27",[],"Andrea Trimarchi (Bolzano, 1983) and Simone Farresin (Malo, 1980)",[],{"alt":4,"asset":547},{"_id":548,"height":214,"orientation":142,"ratio":215,"url":549,"width":217},"image-f26493e8e9a7b9fa77ca39292ec8825456574d02-600x900-jpg","https://cdn.sanity.io/images/w19bax1v/production/f26493e8e9a7b9fa77ca39292ec8825456574d02-600x900.jpg",{"_type":10,"current":551},"formafantasma",{"_id":553,"_type":94,"bioExtended":554,"bioFull":570,"bioShort":579,"profileImage":588,"seo":4,"slug":594,"sortValue":596,"title":597},"49173551-f0ad-4392-8aa3-1262bd800548",[555,563],{"_key":556,"_type":31,"children":557,"markDefs":562,"style":48},"5ec08df3bc89",[558],{"_key":559,"_type":35,"marks":560,"text":561},"9780111c1cc1",[],"Francesco Faccin (Milan, 1977) explores design across industrial, independent, community, and gallery work, believing in design without boundaries. After working with Enzo Mari and learning cabinet-making with Francesco Rivolta, he opened his own studio in 2007. Faccin has won awards such as the Design Report Award (2010) and an honorable mention at the Compasso D’Oro (2015). He directed Fonderia Artistica Battaglia (2014–2016) and presented Honey Factory at Expo2015. Faccin is also a professor at various universities. In 2018 he begins his collaboration with the Gallery with Anonimo Contemporaneo, a project that starts from the popular anonymous chair, the Romanella, to reflect on the idea of the archetype.",[],{"_key":564,"_type":31,"children":565,"markDefs":569,"style":48},"6234f91e6156",[566],{"_key":567,"_type":35,"marks":568,"text":167},"a14b99450a71",[],[],[571],{"_key":572,"_type":31,"children":573,"markDefs":578,"style":48},"b63bd769885d",[574],{"_key":575,"_type":35,"marks":576,"text":577},"0f8c489dc382",[],"Constantly shifting the area of application between industrial production, indipendent production, community design and gallery work, Francesco Faccin (Milan in 1977) belives in design without bounderies or limits:\nIn 2004, after almost two years of collaboration with Enzo Mari, he starts working with the lute-maker Francesco Rivolta, learning hight cabinet making techniques. In 2007 started his own studio in Milan. From 2009 to 2015 he is consultant for Michele De Lucchi.\nIn 2013 he is selected as “Italian Fellow” at the American Academy in Rome. In 2010 he wins the Design Report Award and in 2015, with the “Traverso” project he receives an honorable mention at the Compasso D’Oro.\nFrom 2014 to 2016 he is artistic director of the historic Fonderia Artistica Battaglia in Milan. In 2015, on the occasion of Expo2015 he presents “Honey Factory”, a micro architecture for urban beekeeping that on 2018 the UN selects as guiding project in reference to the 17 Global Goals.\nIn addition to working for Italian and international, public and private clients and NGOs,\nFrancesco Faccin is a professor at the “Libera Università” in Bolzano, at the “Made Program” in Syracuse, and at the “Universidad de Navarra” in Pamplona; also, as a visiting professor, collaborates with other universities in Italy and abroad.\nHis work has been published in the most important international specialized magazines.\nIn 2019 Icon Design marks it among the 100 most influential personalities selected in various creative fields.\nIn 2018 Francesco Faccin he begins his collaboration with the gallery with “Anonimo Contemporaneo”, a project that starts from the popular anonymous chair, the “Romanella”, to reflect on the idea of the archetype.",[],[580],{"_key":581,"_type":31,"children":582,"markDefs":587,"style":48},"3cbc7074c9db",[583],{"_key":584,"_type":35,"marks":585,"text":586},"5d95f80e2c9b",[],"Francesco Faccin (Milan, 1977)",[],{"alt":4,"asset":589},{"_id":590,"height":591,"orientation":142,"ratio":215,"url":592,"width":593},"image-96a0587e3c49ebd5400163c866995087de25e330-2822x4233-jpg",4233,"https://cdn.sanity.io/images/w19bax1v/production/96a0587e3c49ebd5400163c866995087de25e330-2822x4233.jpg",2822,{"_type":10,"current":595},"francesco-faccin","faccin","Francesco Faccin",{"_id":599,"_type":94,"bioExtended":600,"bioFull":609,"bioShort":634,"profileImage":657,"seo":4,"slug":664,"sortValue":666,"title":667},"55e20aca-6f5a-4c12-aeee-fa48cdd4f6b1",[601],{"_key":602,"_type":31,"children":603,"markDefs":608,"style":48},"da4c1217dc01",[604],{"_key":605,"_type":35,"marks":606,"text":607},"5310a2354155",[],"Giacomo Moor (Milan, 1981) began working in carpentry early on. He studied at the Polytechnic University in Milan, where he combined rigorous planning with a passion for woodworking. In 2011, after completing a dissertation on wood, he opened his studio with partner Aurelie Callegari. Moor designs experimental collections, custom furnishings, and unique pieces, blending precise design with traditional craftsmanship. His awards include Best Young Designer at EDIDA 2016 and the Wallpaper* Award in 2017. Moor’s collections, like “Centina” and “Funamolo,” explore the intersection of architecture, design, and traditional craftsmanship, with wood as the main material.",[],[610,618,626],{"_key":611,"_type":31,"children":612,"markDefs":617,"style":48},"a6c1aabbe2f2",[613],{"_key":614,"_type":35,"marks":615,"text":616},"c63e86cfde7b",[],"Born in Milan in 1981, Giacomo Moor begins to work in a carpenter’s workshop at an early age. During his years at the Politecnico University in Milan, under the guidance of professor and architect Beppe Finessi, he starts to bring together rigorous planning with his fascination for the beauty and versatility of woodworking. In 2011, after majoring in Design with a final dissertation on wood called “Valuable Imperfections. Cabinetmaking, from sculpture to design” published by Abitare, Giacomo Moor opens his studio with his partner Aurelie Callegari.",[],{"_key":619,"_type":31,"children":620,"markDefs":625,"style":48},"2e8ccea1dc66",[621],{"_key":622,"_type":35,"marks":623,"text":624},"26e8b5245e3b",[],"From the planning of experimental collections to the production of tailor made furnishings, Giacomo Moor achieves through his practice the dual resolution of ideation and realisation. In his studio/carpentry in Milan, Moor refines and defines his ideas: he designs products for companies, he creates limited editions for galleries, he produces unique pieces for private clients, and he is engaged in every step of the process. Constantly striving to improve carpentry techniques, he unites the precision and the formal rigour of the design with the sensitivity of manual craftsmanship. Giacomo Moor was nominated the Best Young Designer by Elle Décor Italia during EDIDA 2016, and in the same year he won the BestYoungDesigner Award at the Salone del Mobile. In 2017 he won the Wallpaper* Award with his work Kit del Legnamè and in 2018 the LandRoverBornAward.",[],{"_key":627,"_type":31,"children":628,"markDefs":633,"style":48},"e873ffa08248",[629],{"_key":630,"_type":35,"marks":631,"text":632},"6ccfe5e7f7f5",[],"Both using wood as their primary material, “Centina” and Funamolo” collections have been conceived by Giacomo Moor exclusively for the gallery within a fild of research that focuses on the theme of interdisciplinary cross-contamination between architecture and design, and on the deployment of the instruments, methods and materials of traditional workmanship.",[],[635,643,650],{"_key":636,"_type":31,"children":637,"markDefs":642,"style":48},"3676ba53e943",[638],{"_key":639,"_type":35,"marks":640,"text":641},"372cc69cbadf",[],"Giacomo Moor (Milan, 1981)",[],{"_key":644,"_type":31,"children":645,"markDefs":649,"style":48},"4f695c3dcd2f",[646],{"_key":647,"_type":35,"marks":648,"text":167},"3e8b402655d4",[],[],{"_key":651,"_type":31,"children":652,"markDefs":656,"style":48},"cb7238d7f679",[653],{"_key":654,"_type":35,"marks":655,"text":167},"ae63c9683632",[],[],{"alt":4,"asset":658},{"_id":659,"height":660,"orientation":142,"ratio":661,"url":662,"width":663},"image-fb753d23ce37ff7a7f3346f2053e039b136f656c-642x966-png",966,0.6645962732919255,"https://cdn.sanity.io/images/w19bax1v/production/fb753d23ce37ff7a7f3346f2053e039b136f656c-642x966.png",642,{"_type":10,"current":665},"giacomo-moor","moor","Giacomo Moor",{"_id":669,"_type":94,"bioExtended":670,"bioFull":702,"bioShort":732,"profileImage":749,"seo":4,"slug":755,"sortValue":757,"title":758},"edfe6b1d-73db-4603-a6b1-b7b52dc21a09",[671,679,695],{"_key":672,"_type":31,"children":673,"markDefs":678,"style":48},"c31e66133e64",[674],{"_key":675,"_type":35,"marks":676,"text":677},"054db515b136",[],"Iosselliani Design, an extension of the Roman jewelry brand Iosselliani, focuses on limited edition luxury objects and furniture, blending the brand’s eclectic jewelry style with interior design. Founded in 1997 by Paolo Giacomelli and Roberta Paolucci, Iosselliani draws inspiration from Italian jewelry traditions and life stories. The brand creates both fashion jewelry and fine pieces, and has collaborated on bespoke collections for top global retailers like Lane Crawford and Barney's New York. Iosselliani has flagship stores in Rome, Tokyo, and Osaka, showcasing its unique vision of combining classic and contemporary aesthetics.",[],{"_key":680,"_type":31,"children":681,"markDefs":694,"style":48},"70bed3873651",[682,686,690],{"_key":683,"_type":35,"marks":684,"text":685},"0177705e0d8e",[],"The ",{"_key":687,"_type":35,"marks":688,"text":689},"19d73523b0fc",[427],"Black Hole Sun",{"_key":691,"_type":35,"marks":692,"text":693},"c26808ee77e2",[]," Collection is a corpus of works which uses the typical longitudinal cascade of gilded brass fringes, and was designed in exclusive for the Gallery by Iosselliani creative directors Paolo Giacomelli and Roberta Paolucci in collaboration with designer Veronica Nobile Mino.",[],{"_key":696,"_type":31,"children":697,"markDefs":701,"style":48},"845c8b67e742",[698],{"_key":699,"_type":35,"marks":700,"text":167},"c9eb4973654f",[],[],[703,711,719],{"_key":704,"_type":31,"children":705,"markDefs":710,"style":48},"baf3580cf2cb",[706],{"_key":707,"_type":35,"marks":708,"text":709},"869d1c5fab20",[],"Born as the extension of the Roman jewelry brand Iosselliani, Iosselliani Design is a project dedicated to limited edition luxury objects and limited edition furniture that translates the distinctive style and eclectic vision of the jewelry brand into the world of the interior design. Iosselliani Design shows its strong identity on design giving great visual and emotional impact by combining a unique poetic vision of classic style and an innovative idea of aesthetics.",[],{"_key":712,"_type":31,"children":713,"markDefs":718,"style":48},"0d0885211e77",[714],{"_key":715,"_type":35,"marks":716,"text":717},"53be0406a9da",[],"Iosselliani jewelry brand was founded in Rome in 1997 by Paolo Giacomelli and Roberta Paolucci. From fashion seasonal jewelry collections to fine jewelry creations, the creative world of Iosselliani draws the inspiration from life stories and influences of the classic Italian jewellery and ornaments tradition. The vibrant excursions in the world of fashion and art has led Iosselliani to create limited bespoke collections for key worldwide retailers such as, Lane Crawford, Barney’s New York, Luisa Via Roma. Iosselliani flagship stores are located in Rome, Tokyo and Osaka.",[],{"_key":720,"_type":31,"children":721,"markDefs":731,"style":48},"73e6ebbaca7b",[722,725,728],{"_key":723,"_type":35,"marks":724,"text":685},"f4cd16da13eb",[],{"_key":726,"_type":35,"marks":727,"text":689},"07f9c21a89b6",[427],{"_key":729,"_type":35,"marks":730,"text":693},"b97ffbaf3390",[],[],[733,741],{"_key":734,"_type":31,"children":735,"markDefs":740,"style":48},"23659ab2de9d",[736],{"_key":737,"_type":35,"marks":738,"text":739},"014a2ba63558",[],"Iosselliani Design ",[],{"_key":742,"_type":31,"children":743,"markDefs":748,"style":48},"4b49e67e0ea4",[744],{"_key":745,"_type":35,"marks":746,"text":747},"6487cd185089",[],"Paolo Giacomelli and Roberta Paolucci",[],{"alt":4,"asset":750},{"_id":751,"height":752,"orientation":142,"ratio":215,"url":753,"width":754},"image-42bb1364bd5136f84ad66b32914c45d1886f6205-2912x4368-jpg",4368,"https://cdn.sanity.io/images/w19bax1v/production/42bb1364bd5136f84ad66b32914c45d1886f6205-2912x4368.jpg",2912,{"_type":10,"current":756},"iosselliani-design","iosselliani","Iosselliani Design",{"_id":760,"_type":94,"bioExtended":761,"bioFull":784,"bioShort":801,"profileImage":810,"seo":4,"slug":816,"sortValue":818,"title":819},"f2380fe8-da6e-4e3a-9638-302a466556fe",[762,770,777],{"_key":763,"_type":31,"children":764,"markDefs":769,"style":48},"139013926275",[765],{"_key":766,"_type":35,"marks":767,"text":768},"efbeab99c618",[],"Konstantin Grcic (Munich, 1965) is a renowned designer trained as a cabinet maker and at the Royal College of Art in London. He founded his design studio in Munich in 1991, now based in Berlin. Grcic’s work spans industrial design, exhibitions, and architecture, with clients such as Cassina, Flos, and Vitra. His designs, including the MAYDAY lamp and MYTO chair, have won numerous awards, including the Compasso d'Oro. His work is featured in major design museums worldwide. ",[],{"_key":771,"_type":31,"children":772,"markDefs":776,"style":48},"405410910c4f",[773],{"_key":774,"_type":35,"marks":775,"text":167},"28ffe6c649c1",[],[],{"_key":778,"_type":31,"children":779,"markDefs":783,"style":48},"82fe59a1c208",[780],{"_key":781,"_type":35,"marks":782,"text":167},"0159ffe0ea9c",[],[],[785,793],{"_key":786,"_type":31,"children":787,"markDefs":792,"style":48},"97ac23c9ebc4",[788],{"_key":789,"_type":35,"marks":790,"text":791},"8486f415b316",[],"Konstantin Grcic (1965) was trained as a cabinet maker at The John Makepeace School for Craftsmen in Wood before studying Design at the Royal College of Art in London. He set up his own office in Munich in 1991. Today Konstantin Grcic Design is based in Berlin. The office is active in several fields ranging from industrial design projects, exhibition design and architectural collaborations. Amongst his renowned clients are Aeance, Authentics, Cassina, ClassiCon, Flötotto, Flos, Galerie Kreo, Kettal, Laufen, Magis, Muji, Nespresso, Plank, Smart and Vitra. He is the recipient of numerous awards such as the Compasso d`Oro for his MAYDAY lamp (Flos, 2001), the MYTO chair (Plank, 2011) and the OK lamp (Flos 2016). Work by Konstantin Grcic forms part of the permanent collections of the world´s most important design museums (a.o. MoMA/New York, Centre Georges Pompidou/Paris). Grcic defines function in human terms, combining formal strictness with considerable mental acuity and humour. His work is characterised by a careful research into the history of art, design and architecture and his passion for technology and materials. Solo exhibitions of his work have been held at the Boijmans Van Beuningen Museum, Rotterdam (2006), Haus der Kunst, Munich (2006) The Art Institute of Chicargo (2009) Vitra Design Museum, Weil-am-Rhine (2014) Die Neu Sammlung, Munich (2016) Kunsthalle, Bielefeld (2017).",[],{"_key":794,"_type":31,"children":795,"markDefs":800,"style":48},"31b9657fc3f6",[796],{"_key":797,"_type":35,"marks":798,"text":799},"95b3e727b270",[],"Inspired by the building principles of Pier Luigi Nervi, Konstantin Grcic’s “Magliana Project” – edited exclusively by Giustini / Stagetti – consists of a corpus of limited edition furniture – a modular table with integrated seating and suspension lighting – entirely executed in concrete according to the most innovative techniques developed from the latest studies on the material, and its small scale application.\n“Magliana Project” was launched as a temporary site-specific installation inside the venue that inspired it: the pavilion made in ferro-concrete built by Nervi in 1940s in the Roman suburbs Magliana.\n“Magliana Project” is part of the series Privato Romano Interno dedicated to contemporary design and curated by Emanuela Nobile Mino, who since 2011, has involved international designers in the production of new collections, executed with materials and techniques derived from Roman and Italian artisanal traditions.",[],[802],{"_key":803,"_type":31,"children":804,"markDefs":809,"style":48},"5dcd76cf4dd1",[805],{"_key":806,"_type":35,"marks":807,"text":808},"4baf9f4e85b9",[],"Konstantin Grcic (Munich, 1965) ",[],{"alt":4,"asset":811},{"_id":812,"height":813,"orientation":142,"ratio":814,"url":815,"width":145},"image-23c11ff1bf93258c6f753d80f012d2e504698c40-640x954-png",954,0.6708595387840671,"https://cdn.sanity.io/images/w19bax1v/production/23c11ff1bf93258c6f753d80f012d2e504698c40-640x954.png",{"_type":10,"current":817},"konstantin-grcic","grcic","Konstantin Grcic",{"_id":821,"_type":94,"bioExtended":822,"bioFull":831,"bioShort":864,"profileImage":873,"seo":4,"slug":879,"sortValue":881,"title":882},"b4048d56-d534-4590-8625-d3bea4f8d178",[823],{"_key":824,"_type":31,"children":825,"markDefs":830,"style":48},"97c66dba39e6",[826],{"_key":827,"_type":35,"marks":828,"text":829},"1e6d7edeac79",[],"Luca Cipelletti (Milan, 1973), an architect graduated from the Polytechnic of Milan, founded Studio AR.CH.IT in 2000, focusing on the intersection of art, architecture, design, and museums. He has worked on several high-profile projects, including the masterplan for Milan’s Museum of Science and Technology and the Bitossi Museum-Archive. From 2003 to 2012, he served as artistic director for the UN's Millennium Campaign. Cipelletti has collaborated with renowned artists like Anne and Patrick Poirier and David Tremlett. His work explores interdisciplinary connections, utilizing traditional materials and techniques, often showcased in exclusive gallery exhibitions.",[],[832,840,848,856],{"_key":833,"_type":31,"children":834,"markDefs":839,"style":48},"0bf88e343c0f",[835],{"_key":836,"_type":35,"marks":837,"text":838},"fd38c74c71e1",[],"Graduated in Architecture at the Polytechnic of Milan, during his university studies he works with Albini Helg Piva on national and international architecture and restoration competitions. In the same years, he works with the Lombardy Region on a research project on museums, which is followed by monitoring activities of exhibition spaces, design, publications and teaching on the themes of museography and exhibition. In 2000 he founds Studio AR.CH.IT in Milan, focusing its practice and research activities on the interactions between art, architecture, design and museums.",[],{"_key":841,"_type":31,"children":842,"markDefs":847,"style":48},"1feeb7d638ba",[843],{"_key":844,"_type":35,"marks":845,"text":846},"9654ed53d3d0",[],"From 2003 to 2012 he works as artistic director of the Millennium Campaign of the United Nations.\nAmong his most recent projects: the masterplan for the Museum of Science and Technology “Leonardo da Vinci” of Milan, for which he also recovered the spaces of the former Cavallerizze; the Bitossi Museum-Archive of Montelupo Fiorentino; the forthcoming Museum of Contemporary Art of the Municipality of Rimini; the master plan for the centre for art and contemporary culture of the Municipality of Bari; the Shit Museum, with which he won the Milan Design Award during the Fuorisalone 2016; the itinerant sound installation Ulisse’s Syndrome by Soundwalk Collective, set up on the occasion of the Manifesta 12 biennial in Palermo, and later at the Bardo National Museum in Tunis and at the Beit Beirut.",[],{"_key":849,"_type":31,"children":850,"markDefs":855,"style":48},"c8521dfca854",[851],{"_key":852,"_type":35,"marks":853,"text":854},"41c51633b88b",[],"Over the years, he has worked with national and international institutions and has collaborated on architectural projects with artists such as Anne and Patrick Poirier and David Tremlett.",[],{"_key":857,"_type":31,"children":858,"markDefs":863,"style":48},"b6e4973ccd45",[859],{"_key":860,"_type":35,"marks":861,"text":862},"dea87f7e9529",[],"Luca Cipelletti’s works here presented have been conceived exclusively for the gallery within a field of research that focuses on the theme of interdisciplinary cross-contamination between architecture and design, and on the deployment of the instruments, methods and materials of traditional workmanship.",[],[865],{"_key":866,"_type":31,"children":867,"markDefs":872,"style":48},"8316dfa7e179",[868],{"_key":869,"_type":35,"marks":870,"text":871},"b0140d50f520",[],"Luca Cipelletti (Milan, 1973)",[],{"alt":4,"asset":874},{"_id":875,"height":876,"orientation":142,"ratio":877,"url":878,"width":145},"image-dd1911c23a99fe0d7744255a7b54d72cf31f3e1c-640x968-png",968,0.6611570247933884,"https://cdn.sanity.io/images/w19bax1v/production/dd1911c23a99fe0d7744255a7b54d72cf31f3e1c-640x968.png",{"_type":10,"current":880},"luca-cipelletti","cipelletti","Luca Cipelletti",{"_id":884,"_type":94,"bioExtended":885,"bioFull":894,"bioShort":966,"profileImage":975,"seo":982,"slug":985,"sortValue":987,"title":988},"deb62742-895a-48c2-baae-eb85661d1b25",[886],{"_key":887,"_type":31,"children":888,"markDefs":893,"style":48},"2fc02c44f0ad",[889],{"_key":890,"_type":35,"marks":891,"text":892},"c0dcb8966c17",[],"Marie-Anne Derville (Paris, 1986) is a Paris-based interior decorator, exhibition designer, and design advisor. Her eclectic approach blends various styles, inspired by artists and designers like Jean-Michel Frank, Donald Judd, and Pierre Yovanovitch. With a passion for art and design history, she creates timeless, elegant interiors that harmonize contrasts. Marie-Anne worked closely with Pierre Yovanovitch for seven years, refining her skills in residential projects. She oversees projects in cities like London, Los Angeles, and New York and designs a furniture collection for the Gallery. In 2022, she curated the exhibition Edvard Munch / Anna-Eva Bergman at Galerie Poggi, Paris.",[],[895,903,911,919,927,934,942,950,958],{"_key":896,"_type":31,"children":897,"markDefs":902,"style":48},"718d25b56cd3",[898],{"_key":899,"_type":35,"marks":900,"text":901},"1f9b909949d9",[],"Marie-Anne Derville is an interior decorator, exhibition designer and design advisor based in Paris.",[],{"_key":904,"_type":31,"children":905,"markDefs":910,"style":48},"3b2f1037d7bb",[906],{"_key":907,"_type":35,"marks":908,"text":909},"7b28cda68ca7",[],"Led by her eye, guided by her passion for art, and informed by her knowledge in collectible design and the history of decorative arts, Marie-Anne’s work promotes a timeless and elegant taste.",[],{"_key":912,"_type":31,"children":913,"markDefs":918,"style":48},"521a595bc30b",[914],{"_key":915,"_type":35,"marks":916,"text":917},"76dee58fd369",[],"Her interiors are curated with an eclectic approach blending versatile styles, in the tradition of the great French decorators like Jacques Grange and Pierre Yovanovitch.",[],{"_key":920,"_type":31,"children":921,"markDefs":926,"style":48},"55880ab3e413",[922],{"_key":923,"_type":35,"marks":924,"text":925},"6e46bf70be38",[],"From Jean-Michel Frank to Donald Judd, the Renaissance to the Swedish Grace, the Art Deco to the 80s and 90s, she embraces a wide range of influences, citing Piero Portaluppi, Josef Hoffmann, Jean-Charles Moreux, Josef Buys, Michelangelo Antonioni, Cy Twombly, Pina Bausch, Pier Paolo Pasolini, Andrée Putman or Martin Szekely as some of her most main inspirations.",[],{"_key":928,"_type":31,"children":929,"markDefs":933,"style":48},"8b3b1f40f590",[930],{"_key":931,"_type":35,"marks":932,"text":917},"bbf1a1cc3dbf",[],[],{"_key":935,"_type":31,"children":936,"markDefs":941,"style":48},"ab7edec7c23d",[937],{"_key":938,"_type":35,"marks":939,"text":940},"d3c672df9713",[],"In her quest for beauty, Marie-Anne seeks to inject a soul in her clients’ interiors, building harmony with contrasts.",[],{"_key":943,"_type":31,"children":944,"markDefs":949,"style":48},"016dc253c0d9",[945],{"_key":946,"_type":35,"marks":947,"text":948},"c117023a34e6",[],"Her meeting with Pierre Yovanovitch in 2014 was a fundamental milestone, followed by seven years of close collaboration on ambitious residential projects on both sides of the Atlantic. Building her skills and refining her aesthetic through this significant experience, she learned to devise tailor-made proposals and coordinate their executions with the most suited, discerning, and talented architects, craftsmen, and gallerists.",[],{"_key":951,"_type":31,"children":952,"markDefs":957,"style":48},"9580647bbfb9",[953],{"_key":954,"_type":35,"marks":955,"text":956},"1d6ecb586f33",[],"Marie-Anne currently oversees projects in London, Los Angeles, New York, Paris and Rome. She designs a collection of furniture for the italian gallery Giustini/Stagetti, based in Rome. The full collection will be shown during Paris+ Art fair in October 2023.",[],{"_key":959,"_type":31,"children":960,"markDefs":965,"style":48},"646d196c4ce7",[961],{"_key":962,"_type":35,"marks":963,"text":964},"5c919929d451",[],"In September 2022, she designed the exhibition “Edvard Munch / Anna-Eva Bergman: a Cosmology of Art” at Galerie Poggi in Paris, an immersive curation creating a dialogue between the artworks, time, and space.",[],[967],{"_key":968,"_type":31,"children":969,"markDefs":974,"style":48},"42ed77f1d383",[970],{"_key":971,"_type":35,"marks":972,"text":973},"efe9a83bc810",[],"Marie-Anne Derville (Paris, 1986)",[],{"alt":4,"asset":976},{"_id":977,"height":978,"orientation":142,"ratio":979,"url":980,"width":981},"image-a4e0129770f31a4ec26d4620fd619cb008a8bb9a-1333x2000-jpg",2000,0.6665,"https://cdn.sanity.io/images/w19bax1v/production/a4e0129770f31a4ec26d4620fd619cb008a8bb9a-1333x2000.jpg",1333,{"metaDescription":983,"metaTitle":984,"shareImage":4},"Details on the French designer Marie-Anne Derville. She designed the M.A.D. collection for Guistini / Stagetti.","Biography of Marie-Anne Derville",{"_type":10,"current":986},"marie-anne-derville","derville","Marie-Anne Derville",{"_id":990,"_type":94,"bioExtended":991,"bioFull":1000,"bioShort":1041,"profileImage":1050,"seo":4,"slug":1057,"sortValue":1059,"title":1060},"51543264-ac03-4cd4-a1ae-9a2cb0cd0e77",[992],{"_key":993,"_type":31,"children":994,"markDefs":999,"style":48},"c7cca550ddd0",[995],{"_key":996,"_type":35,"marks":997,"text":998},"412e82ece2c1",[],"Paolo Canevari (Rome, 1963)’s work bridges past and present, exploring historical memory and daily life. Through a language that blends elegance and anti-heroism, he challenges concepts like the icon and historical truth. His interest in the purity of images and symbolic elements, along with a passion for early 20th-century design, has led him to produce refined, functional objects. Canevari has participated in numerous international exhibitions, with works in prestigious collections such as MoMA, the Fondation Louis Vuitton, and the Museum of Contemporary Art in Rome.",[],[1001,1009,1017,1025,1033],{"_key":1002,"_type":31,"children":1003,"markDefs":1008,"style":48},"f9912f4dba57",[1004],{"_key":1005,"_type":35,"marks":1006,"text":1007},"ad3ca9ea07bc",[],"Paolo Canevari’s work in art is centred upon an analysis which aims to enable a dialogue between past and present, historical memory and that of daily life. Through a language that is both courtly and, at the same time, anti-heroic, his work aims to subvert hierarchies and to question the supremacy of universal concepts such as the icon and historical truth.",[],{"_key":1010,"_type":31,"children":1011,"markDefs":1016,"style":48},"46cb690a3b08",[1012],{"_key":1013,"_type":35,"marks":1014,"text":1015},"a18d04ed436d",[],"Attraction towards the formal and linguistic purity of images and symbolic elements (from the monument to the symbol), the constant search for proportion and a vocation for design, combined with a passionate interest in the culture of objects, have, over time, led Canevari to develop a close relationship with the applied arts of the early 20th century.",[],{"_key":1018,"_type":31,"children":1019,"markDefs":1024,"style":48},"6ef8e1fa76a9",[1020],{"_key":1021,"_type":35,"marks":1022,"text":1023},"9c84e72eb832",[],"Having, throughout the years acquired both a culture of, and in-depth expertise in, design, Canevari began to successfully engage in the production of refined, functional objects.",[],{"_key":1026,"_type":31,"children":1027,"markDefs":1032,"style":48},"d7b3d43d82aa",[1028],{"_key":1029,"_type":35,"marks":1030,"text":1031},"4f41863a55ce",[],"Since early 90s Canevari participated in numerous group shows in Italy and abroad. His works feature in numerous private and public collections including: Center for Contemporary Art Luigi Pecci, Prato; Museum of Modern Art, MoMA, New York; Fondation Louis Vuitton pour la Creation, Paris; Cisneros Fontanals Art Foundation, Miami; Macro, Museum of Contemporary Art in Rome; MART Museum of Contemporary Art of Trento and Rovereto; Johannesburg Art Gallery, Johannesburg; National Institute for Graphics- Calcografia, Rome; GNAM National Gallery of Modern Art, Rome; Perna Foundation, Capri; Olnick Spanu Art Program, Garrison NY.",[],{"_key":1034,"_type":31,"children":1035,"markDefs":1040,"style":48},"f6453e6c6725",[1036],{"_key":1037,"_type":35,"marks":1038,"text":1039},"fde71b9253c2",[],"Paolo Canevaris’ works here presented have been conceived exclusively for the gallery within its territorial survey aimed at identifying Roman authors with an international attitude combined with a deeply rooted cultural vocation to the genius loci and whose direction of research leads them to exploit techniques and materials of the Roman and Italian artistic and artisanal tradition.",[],[1042],{"_key":1043,"_type":31,"children":1044,"markDefs":1049,"style":48},"630b34cf4930",[1045],{"_key":1046,"_type":35,"marks":1047,"text":1048},"5e94845dbd40",[],"Paolo Canevari (Rome, 1963)",[],{"alt":4,"asset":1051},{"_id":1052,"height":1053,"orientation":142,"ratio":1054,"url":1055,"width":1056},"image-29c991b726800169b09e7e74ab68f11b65f93888-1911x2863-jpg",2863,0.6674816625916871,"https://cdn.sanity.io/images/w19bax1v/production/29c991b726800169b09e7e74ab68f11b65f93888-1911x2863.jpg",1911,{"_type":10,"current":1058},"paolo-canevari","canevari","Paolo Canevari",{"_id":1062,"_type":94,"bioExtended":1063,"bioFull":1072,"bioShort":1081,"profileImage":1090,"seo":4,"slug":1097,"sortValue":1099,"title":1100},"203a0b66-339e-440c-aff5-2e0a6fecb43e",[1064],{"_key":1065,"_type":31,"children":1066,"markDefs":1071,"style":48},"25fb5d6cf97f",[1067],{"_key":1068,"_type":35,"marks":1069,"text":1070},"718b2c1fce43",[],"Sophie Dries (France, 1986), an architect trained at Paris Malaquais and Aalto University, runs her architecture studio in Paris and Milan since 2014. She has collaborated with luxury design firms like Jean Nouvel, Pierre Yovanovitch, and Christian Liaigre, working on private residences, stores, and offices across Paris, Istanbul, and the Alps. In 2015, she participated in the Danish architecture residency at Villa Can Lis. Known for blending traditional materials with contemporary design, she launched a numbered edition furniture line at the 2016 Salone del Mobile and presented a rug collection in 2018. Her work reflects a fusion of international and Italian artisanal traditions.",[],[1073],{"_key":1074,"_type":31,"children":1075,"markDefs":1080,"style":48},"273bdb97fd02",[1076],{"_key":1077,"_type":35,"marks":1078,"text":1079},"4fd43b49ee3c",[],"Sophie Dries has studied in the Master Department of Furniture and Interior Design at the Aalto University of Helsinki, Finland. After graduating as an architect from Paris Malaquais Architecture School located in the Beaux Arts, she started to design exhibitions for Musee d’Orsay.\nSophie Dries runs her architecture studio, based in Paris and Milan, since 2014.\nShe has been collaborating for several years with multiple luxury interior design & architecture offices in Paris such as Ateliers Jean Nouvel, Pierre Yovanovitch and Christian Liaigre.\nShe has designed stores, offices and several private residencies in Paris, Istanbul, Alps.\nShe was part of the Danish architecture residency of “Jorn Utzon Foundation” in the Villa Can Lis in 2015 and worked on furniture design pieces. On the edge of high luxury and new design approach of shapes and materials, she plays on the paradox of traditional materials and technics with sharp and radical lines, in contemporary design.\nSophie Dries has realised a numbered edition furniture line, launched in Milan at the 2016 Salone del Mobile and shown at PAD London, Collective Fair in New York with Gallery L’Eclaireur (Paris and Los Angeles), and presented in collective shows in Brussels, Beirut and Rome. Her first rug collection has been presented during the Salone del Mobile 2018.\nSophie Dries’ works here presented have been conceived exclusively for the gallery within its territorial survey aimed at identifying authors operating in contemporary design with an international attitude combined with a deeply rooted cultural vocation to the city genius loci and whose direction of research leads them to exploit techniques and materials of the Roman and Italian artistic and artisanal tradition.",[],[1082],{"_key":1083,"_type":31,"children":1084,"markDefs":1089,"style":48},"33476c1a0b18",[1085],{"_key":1086,"_type":35,"marks":1087,"text":1088},"2b7a7ab775f5",[],"Sophie Dries (France, 1986)",[],{"alt":4,"asset":1091},{"_id":1092,"height":1093,"orientation":142,"ratio":1094,"url":1095,"width":1096},"image-4b98ca6ce853c6cdb57ed95a85d0fc6888254d30-1024x1534-jpg",1534,0.6675358539765319,"https://cdn.sanity.io/images/w19bax1v/production/4b98ca6ce853c6cdb57ed95a85d0fc6888254d30-1024x1534.jpg",1024,{"_type":10,"current":1098},"sophie-dries","dries","Sophie Dries",{"_id":1102,"_type":94,"bioExtended":1103,"bioFull":1112,"bioShort":1121,"profileImage":1130,"seo":4,"slug":1137,"sortValue":1139,"title":1140},"75a1e89e-e5d8-44a0-8775-53624f705973",[1104],{"_key":1105,"_type":31,"children":1106,"markDefs":1111,"style":48},"2833ea4fe7e7",[1107],{"_key":1108,"_type":35,"marks":1109,"text":1110},"7d4f062e0f53",[],"Umberto Riva (Milan, 1928 – Palermo, 2021) was an Italian architect and designer. He graduated in architecture from Venice in 1959 and began his career in Milan in 1960. His work spanned urban planning, buildings, interiors, and furniture design. Notable projects include houses in Stintino (1960) and Osmate (1975), the school in Faedis (1977), and Piazza San Nazaro in Milan (1989-1992). His interior projects include Casa Frea (1983) and the renovation of Caffè Pedrocchi (1994-1998). Riva’s work was exhibited internationally, including at the Paris Biennial and La Triennale di Milano. He received multiple awards, including the Gold Medal for Italian Architecture.",[],[1113],{"_key":1114,"_type":31,"children":1115,"markDefs":1120,"style":48},"5e1ee21376a0",[1116],{"_key":1117,"_type":35,"marks":1118,"text":1119},"66f46b0ce5c5",[],"Umberto Riva (Milan, 1928 – Palermo, 2021) was an Italian architect and designer. He studied architecture in Venice, graduating in 1959.\nHis professional activity began in Milan in 1960. His projects evolve on diverse scales ranging from urban spaces to individual buildings, landscape and interiors, and furnishing to furniture and lamp design.\nSince the beginning, his works have been published in the principal design magazines. Among the architectural projects: the houses in Stintino, Sardinia (1960) and in Osmate (1975); the school of Faedis (1977); Piazza San Nazaro in Milan (1989-1992); Casa Miggiano in Otranto (1990-1996); Case alla Morlana in Bergamo (1991 and 1995-2002); the Fincantieri shipyard, Castellammare (1999-2002); Piazza della Farnesina in Rome (1991 and 1996-2002) and the San Corbiniano Church located in the Infernetto suburb in Rome (2011).\nAmong the interiors: Casa Frea in Milan (1983-1984); Casa Insinga in Milan (1987); Casa Vernizzi in Paris (1988); the IB Office store in Padua (1992); the layout of the atrium, bar and library of the Palazzo dell’Arte in Milan (1994-1995); the renovation of Caffè Pedrocchi in Padua (1994-1998); the architectural new arrangement of Palazzo Barbaran da Porto in Vicenza(1998).\nHis projects have been exhibited in many international exhibition including the Paris Biennial and La Triennale di Milano. Among the majors exhibitions: “Umberto Riva. Sistemazioni Urbane”, Palazzo Bosdari in Ancona (1997); “Disegni di Architettura dal Dopoguerra ad oggi, dalla collezione di Francesco Moschini” at the Scuderie Medicee di Poggio in Caiano (2002); “Rooms You May Have Missed: Bijoy Jain, Umberto Riva” at the CCA of Montreal (2015).\nSince 1999 he had been member of the Accademia di San Luca; in 2003 and in 2018 he was awarded the Gold Medal for Italian Architecture by La Triennale di Milano.",[],[1122],{"_key":1123,"_type":31,"children":1124,"markDefs":1129,"style":48},"f03187d6f456",[1125],{"_key":1126,"_type":35,"marks":1127,"text":1128},"a6f688f590dd",[],"Umberto Riva (Milan, 1928 – Palermo, 2021)",[],{"alt":4,"asset":1131},{"_id":1132,"height":1133,"orientation":142,"ratio":1134,"url":1135,"width":1136},"image-13de45c68b75a28045454900fde35d412c11132f-672x1012-png",1012,0.6640316205533597,"https://cdn.sanity.io/images/w19bax1v/production/13de45c68b75a28045454900fde35d412c11132f-672x1012.png",672,{"_type":10,"current":1138},"umberto-riva","riva","Umberto Riva",{"_id":1142,"_type":94,"bioExtended":1143,"bioFull":1152,"bioShort":1201,"profileImage":1210,"seo":4,"slug":1218,"sortValue":1220,"title":1221},"270ebaf1-0f1b-4050-9ee2-7f48a5ad562a",[1144],{"_key":1145,"_type":31,"children":1146,"markDefs":1151,"style":48},"e8ec6b1f7133",[1147],{"_key":1148,"_type":35,"marks":1149,"text":1150},"1c908159a27a",[],"Vincent Van Duysen (Lokeren, 1962) founded Vincent Van Duysen Architects in 1989. His firm focuses on high-end residential projects worldwide, blending architecture, interior, and product design. Known for his use of pure, tactile materials, Van Duysen creates timeless, functional, and comfortable designs. His work emphasizes spatial integrity, light, and texture. He has received numerous accolades, including the Flemish Culture Prize for Design and the Henry van de Velde Lifetime Achievement Award. As creative director for Molteni&C and Dada, and through collaborations with brands like Zara Home, Van Duysen reshapes global design identities.",[],[1153,1161,1169,1177,1185,1193],{"_key":1154,"_type":31,"children":1155,"markDefs":1160,"style":48},"481ef9954cd0",[1156],{"_key":1157,"_type":35,"marks":1158,"text":1159},"ac8126f13463",[],"Vincent Van Duysen was born in Lokeren, Belgium, in 1962. After earning a degree from the Sint- Lucas School of Architecture, Ghent, he worked with Aldo Cibic in Milan, followed by a collaboration with Jean De Meulder in Antwerp, Belgium.",[],{"_key":1162,"_type":31,"children":1163,"markDefs":1168,"style":48},"e63ce83858bb",[1164],{"_key":1165,"_type":35,"marks":1166,"text":1167},"379da1179bea",[],"In 1989, Vincent Van Duysen Architects was established. Today, the firm has grown into a team of about 40 collaborators with work ranging from product design for numerous international brands, to commercial and large-scale architectural projects, with a focus on high-end residences both in Belgium or spread across Europe, the Middle East, Asia and the USA.\nFrom the outset, a definite relationship between architecture, interior and product design has been the driving force behind the conception of projects inspired by subtle transitions between these disciplines and combined with a spatial design attitude, constantly striving for the essence.",[],{"_key":1170,"_type":31,"children":1171,"markDefs":1176,"style":48},"6d4ec21b38a3",[1172],{"_key":1173,"_type":35,"marks":1174,"text":1175},"f11447ac94a3",[],"The use of pure and tactile materials translates into clean, timeless design. With respect to context and tradition, it’s an approach within which the senses, and the physical experience of space, textures and light place the integrity of the user at its core. Functionality, durability and comfort are the prime components of the work, an architectural language not shy to convey aesthetics, but prone to eschew fashion and trends.",[],{"_key":1178,"_type":31,"children":1179,"markDefs":1184,"style":48},"33f68c9eeb3d",[1180],{"_key":1181,"_type":35,"marks":1182,"text":1183},"3c5d7a4752c5",[],"During his career, Van Duysen has received multiple awards among which the Flemish Culture Prize for Design, Belgian Designer of the Year and the Henry van de Velde Lifetime Achievement Award, and an EDIDA for Best Interior Designer of the Year. In 2021, the Winery VV has also been nominated and shortlisted for the Mies Van Der Rohe Award. His name has also been included in the AD100 survey by the Architectural Digest network and Elle Decor A-List multiple times.",[],{"_key":1186,"_type":31,"children":1187,"markDefs":1192,"style":48},"ffc290e40edf",[1188],{"_key":1189,"_type":35,"marks":1190,"text":1191},"d1606adfcb5e",[],"In 2016, Van Duysen was appointed as creative director of Italian brands Molteni&C and Dada, reshaping their global image by designing flagship stores, exhibition stands and a series of new products. From 2018 to May 2020, he covered the role of art director at Sahco for Kvadrat, after which he has been collaborating as a senior designer. 2022 marks the beginning of a collaboration with Zara Home.",[],{"_key":1194,"_type":31,"children":1195,"markDefs":1200,"style":48},"fe767db6a9e5",[1196],{"_key":1197,"_type":35,"marks":1198,"text":1199},"b8ab7ce21782",[],"For many years, Van Duysen’s work has been appearing on a number of prestigious international publications. Starting from 1994, his projects and realizations have also been featured in different monographs among which those edited by renowned publishing house Thames & Hudson. In 2024, “Vincent Van Duysen: Private”, a new personal look into the architect’s residences, has been published by Rizzoli with photography by François Halard.",[],[1202],{"_key":1203,"_type":31,"children":1204,"markDefs":1209,"style":48},"ffa36834879b",[1205],{"_key":1206,"_type":35,"marks":1207,"text":1208},"d10c7242caf0",[],"Vincent Van Duysen (Lokeren, 1962)",[],{"alt":4,"asset":1211},{"_id":1212,"height":1213,"orientation":1214,"ratio":1215,"url":1216,"width":1217},"image-a98029266bac320f47ca30fb2707b6c3f8ff02c6-2560x1707-jpg",1707,"landscape",1.4997070884592854,"https://cdn.sanity.io/images/w19bax1v/production/a98029266bac320f47ca30fb2707b6c3f8ff02c6-2560x1707.jpg",2560,{"_type":10,"current":1219},"vincent-van-duysen","van duysen","Vincent Van Duysen",{"_type":10,"current":16},{"author":4,"authorTypes":1224,"productTypes":1229},[1225,1227],{"_id":7,"_type":8,"slug":1226,"title":12},{"_type":10,"current":11},{"_id":14,"_type":8,"slug":1228,"title":17},{"_type":10,"current":16},[1230,1232],{"_id":20,"_type":21,"slug":1231,"title":12},{"_type":10,"current":11},{"_id":24,"_type":21,"slug":1233,"title":17},{"_type":10,"current":16},1778622943485]