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Known for his use of pure, tactile materials, Van Duysen creates timeless, functional, and comfortable designs. His work emphasizes spatial integrity, light, and texture. He has received numerous accolades, including the Flemish Culture Prize for Design and the Henry van de Velde Lifetime Achievement Award. As creative director for Molteni&C and Dada, and through collaborations with brands like Zara Home, Van Duysen reshapes global design identities.",[],[102,110,118,126,134,142],{"_key":103,"_type":36,"children":104,"markDefs":109,"style":53},"481ef9954cd0",[105],{"_key":106,"_type":40,"marks":107,"text":108},"ac8126f13463",[],"Vincent Van Duysen was born in Lokeren, Belgium, in 1962. After earning a degree from the Sint- Lucas School of Architecture, Ghent, he worked with Aldo Cibic in Milan, followed by a collaboration with Jean De Meulder in Antwerp, Belgium.",[],{"_key":111,"_type":36,"children":112,"markDefs":117,"style":53},"e63ce83858bb",[113],{"_key":114,"_type":40,"marks":115,"text":116},"379da1179bea",[],"In 1989, Vincent Van Duysen Architects was established. Today, the firm has grown into a team of about 40 collaborators with work ranging from product design for numerous international brands, to commercial and large-scale architectural projects, with a focus on high-end residences both in Belgium or spread across Europe, the Middle East, Asia and the USA.\nFrom the outset, a definite relationship between architecture, interior and product design has been the driving force behind the conception of projects inspired by subtle transitions between these disciplines and combined with a spatial design attitude, constantly striving for the essence.",[],{"_key":119,"_type":36,"children":120,"markDefs":125,"style":53},"6d4ec21b38a3",[121],{"_key":122,"_type":40,"marks":123,"text":124},"f11447ac94a3",[],"The use of pure and tactile materials translates into clean, timeless design. With respect to context and tradition, it’s an approach within which the senses, and the physical experience of space, textures and light place the integrity of the user at its core. Functionality, durability and comfort are the prime components of the work, an architectural language not shy to convey aesthetics, but prone to eschew fashion and trends.",[],{"_key":127,"_type":36,"children":128,"markDefs":133,"style":53},"33f68c9eeb3d",[129],{"_key":130,"_type":40,"marks":131,"text":132},"3c5d7a4752c5",[],"During his career, Van Duysen has received multiple awards among which the Flemish Culture Prize for Design, Belgian Designer of the Year and the Henry van de Velde Lifetime Achievement Award, and an EDIDA for Best Interior Designer of the Year. In 2021, the Winery VV has also been nominated and shortlisted for the Mies Van Der Rohe Award. His name has also been included in the AD100 survey by the Architectural Digest network and Elle Decor A-List multiple times.",[],{"_key":135,"_type":36,"children":136,"markDefs":141,"style":53},"ffc290e40edf",[137],{"_key":138,"_type":40,"marks":139,"text":140},"d1606adfcb5e",[],"In 2016, Van Duysen was appointed as creative director of Italian brands Molteni&C and Dada, reshaping their global image by designing flagship stores, exhibition stands and a series of new products. From 2018 to May 2020, he covered the role of art director at Sahco for Kvadrat, after which he has been collaborating as a senior designer. 2022 marks the beginning of a collaboration with Zara Home.",[],{"_key":143,"_type":36,"children":144,"markDefs":149,"style":53},"fe767db6a9e5",[145],{"_key":146,"_type":40,"marks":147,"text":148},"b8ab7ce21782",[],"For many years, Van Duysen’s work has been appearing on a number of prestigious international publications. Starting from 1994, his projects and realizations have also been featured in different monographs among which those edited by renowned publishing house Thames & Hudson. In 2024, “Vincent Van Duysen: Private”, a new personal look into the architect’s residences, has been published by Rizzoli with photography by François Halard.",[],[151],{"_key":152,"_type":36,"children":153,"markDefs":158,"style":53},"ffa36834879b",[154],{"_key":155,"_type":40,"marks":156,"text":157},"d10c7242caf0",[],"Vincent Van Duysen (Lokeren, 1962)",[],[160],{"_id":161,"_type":162,"authors":163,"dates":218,"featuredImages":221,"location":237,"pageBuilder":238,"seo":74,"slug":298,"title":300},"9b5a46da-6284-4bb1-8b4b-7e0806666877","exhibition",[164],{"_id":5,"_type":6,"bioExtended":165,"bioFull":171,"bioShort":202,"profileImage":208,"seo":74,"slug":216,"sortValue":217,"title":10},[166],{"_key":94,"_type":36,"children":167,"markDefs":170,"style":53},[168],{"_key":97,"_type":40,"marks":169,"text":99},[],[],[172,177,182,187,192,197],{"_key":103,"_type":36,"children":173,"markDefs":176,"style":53},[174],{"_key":106,"_type":40,"marks":175,"text":108},[],[],{"_key":111,"_type":36,"children":178,"markDefs":181,"style":53},[179],{"_key":114,"_type":40,"marks":180,"text":116},[],[],{"_key":119,"_type":36,"children":183,"markDefs":186,"style":53},[184],{"_key":122,"_type":40,"marks":185,"text":124},[],[],{"_key":127,"_type":36,"children":188,"markDefs":191,"style":53},[189],{"_key":130,"_type":40,"marks":190,"text":132},[],[],{"_key":135,"_type":36,"children":193,"markDefs":196,"style":53},[194],{"_key":138,"_type":40,"marks":195,"text":140},[],[],{"_key":143,"_type":36,"children":198,"markDefs":201,"style":53},[199],{"_key":146,"_type":40,"marks":200,"text":148},[],[],[203],{"_key":152,"_type":36,"children":204,"markDefs":207,"style":53},[205],{"_key":155,"_type":40,"marks":206,"text":157},[],[],{"alt":74,"asset":209},{"_id":210,"height":211,"orientation":212,"ratio":213,"url":214,"width":215},"image-a98029266bac320f47ca30fb2707b6c3f8ff02c6-2560x1707-jpg",1707,"landscape",1.4997070884592854,"https://cdn.sanity.io/images/w19bax1v/production/a98029266bac320f47ca30fb2707b6c3f8ff02c6-2560x1707.jpg",2560,{"_type":8,"current":9},"van duysen",{"end":219,"start":220},"2024-01-12","2023-11-23",{"landingImage":222,"thumbnailImage":230},{"alt":74,"asset":223},{"_id":224,"height":225,"orientation":226,"ratio":227,"url":228,"width":229},"image-bb22e2ae5af809032f77b7719415d9d0163770f4-3648x5472-jpg",5472,"portrait",0.6666666666666666,"https://cdn.sanity.io/images/w19bax1v/production/bb22e2ae5af809032f77b7719415d9d0163770f4-3648x5472.jpg",3648,{"alt":74,"asset":231},{"_id":232,"height":233,"orientation":212,"ratio":234,"url":235,"width":236},"image-be45ff1c1ab9b64713f00ac6523a74d2b76b7680-5312x3541-jpg",3541,1.5001412030499859,"https://cdn.sanity.io/images/w19bax1v/production/be45ff1c1ab9b64713f00ac6523a74d2b76b7680-5312x3541.jpg",5312,"Galleria Giustini / Stagetti",[239,290],{"_type":240,"text":241},"textBlock",[242,250,258,266,274,282],{"_key":243,"_type":36,"children":244,"markDefs":249,"style":53},"5e9393ff6f20",[245],{"_key":246,"_type":40,"marks":247,"text":248},"5effa01d2620",[],"Galleria Giustini / Stagetti presents I.R.O. - Italian Rational Objects -, the result of the first collaboration with Belgian architect Vincent Van Duysen.",[],{"_key":251,"_type":36,"children":252,"markDefs":257,"style":53},"b026ce84fc39",[253],{"_key":254,"_type":40,"marks":255,"text":256},"3bb332ca6214",[],"Form, material, and light take center stage in the work of the author, who approaches each new project drawing constant inspiration from art, history, nature, travels, experiences that coexist in his personal creative search with harmony and naturalness.",[],{"_key":259,"_type":36,"children":260,"markDefs":265,"style":53},"62ce74e434ec",[261],{"_key":262,"_type":40,"marks":263,"text":264},"76c399eb0e62",[],"In this case, the collection, the first created by Van Duysen for a gallery, takes its initial steps from the study of Italian rationalist architecture of the 1 920s and 1940s and the distinctive characteristics of its aesthetics, which the author reinterprets in a contemporary form through the process of synthesis and subtraction that characterizes all of his work.",[],{"_key":267,"_type":36,"children":268,"markDefs":273,"style":53},"a02d56dfeb63",[269],{"_key":270,"_type":40,"marks":271,"text":272},"64dc66022544",[],"The search for balance, the reduction of form, essentiality, and volumetric spatiality enhanced by the study of solids and voids are some of the points of intersection that mark the dialogue between the intimate essence of Rationalist architecture and Vincent Van Duysen's design language.",[],{"_key":275,"_type":36,"children":276,"markDefs":281,"style":53},"7fb55f048f97",[277],{"_key":278,"_type":40,"marks":279,"text":280},"fa4139c68271",[],"Another significant reference comes from the creations of the Brazilian artist Lygia Clark, composed of geometries of metal planes. The invitation to the possibility of interaction with the artistic object projects the author's work into a performative dimension, inviting us to reflect on the relationship between the audience and the artwork. Similarly, Vincent Van Duysen focuses his attention on the connection between the spatiality and volumes of his works and the viewer who interacts with them.",[],{"_key":283,"_type":36,"children":284,"markDefs":289,"style":53},"3dd54ac076c4",[285],{"_key":286,"_type":40,"marks":287,"text":288},"81afc8ad6e2a",[],"Each element of the collection - consisting of a console, a low table, a dining table, a bookcase, a side table and a wall lamp - follows the same compositional principle: aluminum sheets folded into a linear and sophisticated geometry. 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