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They graduated from Design Academy Eindhoven in 2009, and their work focuses on experimental material research and the transformation of natural resources into commodities. They collaborate with brands like Fendi, Hermès, and Flos, blending craft and industry. Their designs are in prestigious museums such as MoMA, V&A, and the Centre Georges Pompidou. Formafantasma lectures internationally and leads workshops, including a new Masters program in “GEODESIGN” at Design Academy Eindhoven. They were named Wallpaper* Designer of the Year in 2021.",[],[107,115,123,131,139,147],{"_key":108,"_type":8,"children":109,"markDefs":114,"style":25},"66e13ac17b07",[110],{"_key":111,"_type":12,"marks":112,"text":113},"e81a75d76aa2",[],"Andrea Trimarchi (1983) and Simone Farresin (1980) are Formafantasma, an Italian design duo based in Milano. Their interest in product design developed on the IM master course at Design Academy Eindovhen, where they graduated in July 2009.",[],{"_key":116,"_type":8,"children":117,"markDefs":122,"style":25},"01537ad2e9eb",[118],{"_key":119,"_type":12,"marks":120,"text":121},"679bb471f0be",[],"Since then, Formafantasma’s practice has been characterised by experimental material investigations and detailed explorations of the history, context and implications of the transformation of natural resources into commodities. In perceiving their role as a bridge between craft, industry, object and user, they are interested in forging links between their research-based practice and a wider design industry. As a result, works by Formafantasma have been commisioned by a variety of partners including Fendi, Max Mara – Sportmax, Hermès, Droog, Nudus rug, J&L Lobmeyr, Gallery Libby Sellers, Established and Sons, Lexus, Krizia International and Flos., Gallery Giustini / Stagetti Roma.",[],{"_key":124,"_type":8,"children":125,"markDefs":130,"style":25},"cc0ff53e39bd",[126],{"_key":127,"_type":12,"marks":128,"text":129},"3763aea84e34",[],"Wheter designing for a client or investigating alternative applications of materials, Formafantasma apply the same rigouros attention to context, process and detail to every project the undertake. The added nuance for the duo is that they do so with an eye to the historical, political and social forces that have shaped their environments.",[],{"_key":132,"_type":8,"children":133,"markDefs":138,"style":25},"15e233d752f5",[134],{"_key":135,"_type":12,"marks":136,"text":137},"d36c25e161c4",[],"Their work has been presented and published internationally and museums such as New York’s MoMA, London’s Victoria and Albert, New York’s Metropolitan Museum, the Chicago Art Institute, Paris’s Centre Georges Pompidou, the TextielMuseum in Tilburg, the Stedelijk’s-Hertogenbosch, the Stedelijk Museum Amsterdam, Mudac Lausanne, the Mint Museum of Craft and Design in North Carolina and the MAK Museum in Vienna have all acquired Formafantasma’s designs for their permanent collections.",[],{"_key":140,"_type":8,"children":141,"markDefs":146,"style":25},"7486803768d5",[142],{"_key":143,"_type":12,"marks":144,"text":145},"2f29b09c6960",[],"In March 2011 Paola Antonelli of the Museum of Modern Art in New York and esteemed design critic Alice Rawsthorn listed their studio amongst a handful of practices that would shape the future of design. Andrea and Simone are lecturing and heading workshops in various Universities and Institutions. Currently they are teaching at the “Well Being” and “Contextual Design” Departments of the Design Academy Eindhoven. This exhibition will become the foundation of the new Masters programme that Formafantasma are leading from autumn 2020 at the design Academy Eindhoven, titled “GEODESIGN”. Since October 2016, they have been at the head of the Design bachelor at MADE Program in Siracusa, Italy.",[],{"_key":148,"_type":8,"children":149,"markDefs":154,"style":25},"af1f9684422b",[150],{"_key":151,"_type":12,"marks":152,"text":153},"5d01da72a08f",[],"Formafantasma has been awarded Wallpaper* Designer of the Year 2021.",[],[156,164],{"_key":157,"_type":8,"children":158,"markDefs":163,"style":25},"d23635d39c06",[159],{"_key":160,"_type":12,"marks":161,"text":162},"e086f264d4c9",[],"Formafantasma",[],{"_key":165,"_type":8,"children":166,"markDefs":171,"style":25},"b64f02da9df2",[167],{"_key":168,"_type":12,"marks":169,"text":170},"2529a373ea27",[],"Andrea Trimarchi (Bolzano, 1983) and Simone Farresin (Malo, 1980)",[],{"alt":46,"asset":173},{"_id":174,"height":175,"orientation":176,"ratio":177,"url":178,"width":179},"image-f26493e8e9a7b9fa77ca39292ec8825456574d02-600x900-jpg",900,"portrait",0.6666666666666666,"https://cdn.sanity.io/images/w19bax1v/production/f26493e8e9a7b9fa77ca39292ec8825456574d02-600x900.jpg",600,{"_type":51,"current":181},"formafantasma",{"end":183,"start":184},"2023-04-07","2023-03-11",{"landingImage":186,"thumbnailImage":192},{"alt":46,"asset":187},{"_id":188,"height":189,"orientation":176,"ratio":177,"url":190,"width":191},"image-47aebef42bffd33f01545c85e55ce34f38e54619-3648x5472-jpg",5472,"https://cdn.sanity.io/images/w19bax1v/production/47aebef42bffd33f01545c85e55ce34f38e54619-3648x5472.jpg",3648,{"alt":46,"asset":193},{"_id":194,"height":191,"orientation":195,"ratio":196,"url":197,"width":189},"image-23c3916ed69d644a6cbfcc91c5edabd87dfe9e67-5472x3648-jpg","landscape",1.5,"https://cdn.sanity.io/images/w19bax1v/production/23c3916ed69d644a6cbfcc91c5edabd87dfe9e67-5472x3648.jpg","Galleria Giustini / Stagetti",[200,268],{"_type":201,"text":202},"textBlock",[203,211,228,236,244,252,260],{"_key":204,"_type":8,"children":205,"markDefs":210,"style":25},"c07c3b6138ca",[206],{"_key":207,"_type":12,"marks":208,"text":209},"74df7b8c40ef",[],"Giustini / Stagetti is pleased to present, at the gallery’s new venue in Via Gregoriana, the 1858 furniture collection designed by Formafantasma.",[],{"_key":212,"_type":8,"children":213,"markDefs":227,"style":25},"cc74470aa7ae",[214,218,223],{"_key":215,"_type":12,"marks":216,"text":217},"635d7ac858f1",[],"The pieces were first shown at their solo exhibition ",{"_key":219,"_type":12,"marks":220,"text":222},"c4b148330f6f",[221],"em","Cambio",{"_key":224,"_type":12,"marks":225,"text":226},"01d9d252865c",[],", which was held at the Serpentine Galleries in London (2020). Subsequently, it was shown at the Centro Pecci per l’Arte Contemporanea in Prato and at the Museum für Gestaltung in Zürich (2021).",[],{"_key":229,"_type":8,"children":230,"markDefs":235,"style":25},"5d13d8b8a978",[231],{"_key":232,"_type":12,"marks":233,"text":234},"6de201f76e7a",[],"The exhibition focused on the investigation of the timber industry’s supply chains and, more generally, explored the role that design can play in translating the themes of environmental crisis into awareness, information exchange, and collaboration between various cultural and scientific fields.",[],{"_key":237,"_type":8,"children":238,"markDefs":243,"style":25},"e9a33f817347",[239],{"_key":240,"_type":12,"marks":241,"text":242},"e6f0affc0b8f",[],"The 1858 collection (a table, a bookshelf, shelves, consoles, a chair, a bench, a desk and a stool) is made of solid spruce, sourced from the Fiemme Valley forest in Northern Italy, an area that was devastated by the storm Vaia in October 2018.",[],{"_key":245,"_type":8,"children":246,"markDefs":251,"style":25},"fa01b6ad0778",[247],{"_key":248,"_type":12,"marks":249,"text":250},"1e32e537259f",[],"For the prototypes, the wood of a single spruce tree - just one of approximately fourteen million uprooted by the catastrophic storm - was used.",[],{"_key":253,"_type":8,"children":254,"markDefs":259,"style":25},"2029ddbba036",[255],{"_key":256,"_type":12,"marks":257,"text":258},"ac7d88776fd2",[],"The title of the collection, 1858, refers to the year this tree developed its first ring. The pieces are characterized by an extremely concise and simple construction, as well as by a geometric virtuosity. By this, we mean that, if on the one hand they represent the minimalistic aesthetics of the 20th century masters, then on the other hand, they can be distinguished by their versatile formal sleekness, typical of contemporary design.",[],{"_key":261,"_type":8,"children":262,"markDefs":267,"style":25},"484c2bce8202",[263],{"_key":264,"_type":12,"marks":265,"text":266},"7b0667dd1123",[],"The designers were able to give a particularly transparent and glossy finish to the furnishings by using a lacquering process traditionally used in the construction of musical instruments. This lacquering process allows the grain of the wood to show through, while also making quite tough exteriors. 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