[{"data":1,"prerenderedAt":186},["ShallowReactive",2],{"sanity-JGoQSbHL5U":3,"sanity-Ntct3f9W7y":26,"sanity-ky98QVDpj1":84},{"author":4,"authorTypes":5,"productTypes":18},null,[6,13],{"_id":7,"_type":8,"slug":9,"title":12},"ee9e3677-1555-491d-8071-490535e93948","authorType",{"_type":10,"current":11},"slug","modern","Modern",{"_id":14,"_type":8,"slug":15,"title":17},"749512dd-47d0-4d11-ab02-c9f8c78bed92",{"_type":10,"current":16},"contemporary","Contemporary",[19,23],{"_id":20,"_type":21,"slug":22,"title":12},"07631afe-8497-4b4e-a756-616fd241903d","productType",{"_type":10,"current":11},{"_id":24,"_type":21,"slug":25,"title":17},"eed9b354-e692-409a-a36d-0b6ddc95c772",{"_type":10,"current":16},{"settings":27},{"footerColumnA":28,"footerColumnB":49,"footerItems":66,"socialLinks":75},[29],{"_key":30,"_type":31,"children":32,"markDefs":43,"style":48},"c9d979c2f8bf","block",[33,38],{"_key":34,"_type":35,"marks":36,"text":37},"4b62619e153b","span",[],"T: +39 0687652093\nE: ",{"_key":39,"_type":35,"marks":40,"text":42},"8751da97e31e",[41],"e1f7e54b7c03","info@giustinistagetti.com",[44],{"_key":41,"_type":45,"blank":46,"href":47},"link",true,"mailto:info@giustinistagetti.com","normal",[50,58],{"_key":51,"_type":31,"children":52,"markDefs":57,"style":48},"6b0afc71d83d",[53],{"_key":54,"_type":35,"marks":55,"text":56},"f57c42df265e",[],"Via Gregoriana 41\n00187 Rome\nItaly",[],{"_key":59,"_type":31,"children":60,"markDefs":65,"style":48},"324824f06de8",[61],{"_key":62,"_type":35,"marks":63,"text":64},"aae534659c9f",[],"Giusta S.r.l.s.\nP.I. C.F. 15246911000",[],[67],{"_type":68,"label":4,"page":69},"internalLink",{"_id":70,"_type":71,"seo":4,"slug":72,"title":74},"7f47b73d-575d-4f56-82a5-c2a0c5f2f8c6","pageA",{"_type":10,"current":73},"imprint","Imprint",[76,80],{"_key":77,"_type":45,"title":78,"url":79},"2974397122df","Instagram","https://www.instagram.com/giustinistagetti/",{"_key":81,"_type":45,"title":82,"url":83},"377860ecd4ba","Facebook","https://www.facebook.com/p/Giustini-Stagetti-Roma-100063558789241/",{"authorsPage":85,"exhibition":90},{"_id":86,"_type":86,"seo":4,"slug":87,"title":89},"authorsPage",{"_type":10,"current":88},"authors","Authors",{"_id":91,"_type":92,"authors":93,"dates":144,"featuredImages":147,"location":162,"pageBuilder":163,"seo":4,"slug":183,"title":185},"2a581af0-fed0-4b5f-b145-a5825e382511","exhibition",[94],{"_id":95,"_type":96,"bioExtended":97,"bioFull":114,"bioShort":123,"profileImage":132,"seo":4,"slug":140,"sortValue":142,"title":143},"49173551-f0ad-4392-8aa3-1262bd800548","author",[98,106],{"_key":99,"_type":31,"children":100,"markDefs":105,"style":48},"5ec08df3bc89",[101],{"_key":102,"_type":35,"marks":103,"text":104},"9780111c1cc1",[],"Francesco Faccin (Milan, 1977) explores design across industrial, independent, community, and gallery work, believing in design without boundaries. After working with Enzo Mari and learning cabinet-making with Francesco Rivolta, he opened his own studio in 2007. Faccin has won awards such as the Design Report Award (2010) and an honorable mention at the Compasso D’Oro (2015). He directed Fonderia Artistica Battaglia (2014–2016) and presented Honey Factory at Expo2015. Faccin is also a professor at various universities. In 2018 he begins his collaboration with the Gallery with Anonimo Contemporaneo, a project that starts from the popular anonymous chair, the Romanella, to reflect on the idea of the archetype.",[],{"_key":107,"_type":31,"children":108,"markDefs":113,"style":48},"6234f91e6156",[109],{"_key":110,"_type":35,"marks":111,"text":112},"a14b99450a71",[],"",[],[115],{"_key":116,"_type":31,"children":117,"markDefs":122,"style":48},"b63bd769885d",[118],{"_key":119,"_type":35,"marks":120,"text":121},"0f8c489dc382",[],"Constantly shifting the area of application between industrial production, indipendent production, community design and gallery work, Francesco Faccin (Milan in 1977) belives in design without bounderies or limits:\nIn 2004, after almost two years of collaboration with Enzo Mari, he starts working with the lute-maker Francesco Rivolta, learning hight cabinet making techniques. In 2007 started his own studio in Milan. From 2009 to 2015 he is consultant for Michele De Lucchi.\nIn 2013 he is selected as “Italian Fellow” at the American Academy in Rome. In 2010 he wins the Design Report Award and in 2015, with the “Traverso” project he receives an honorable mention at the Compasso D’Oro.\nFrom 2014 to 2016 he is artistic director of the historic Fonderia Artistica Battaglia in Milan. In 2015, on the occasion of Expo2015 he presents “Honey Factory”, a micro architecture for urban beekeeping that on 2018 the UN selects as guiding project in reference to the 17 Global Goals.\nIn addition to working for Italian and international, public and private clients and NGOs,\nFrancesco Faccin is a professor at the “Libera Università” in Bolzano, at the “Made Program” in Syracuse, and at the “Universidad de Navarra” in Pamplona; also, as a visiting professor, collaborates with other universities in Italy and abroad.\nHis work has been published in the most important international specialized magazines.\nIn 2019 Icon Design marks it among the 100 most influential personalities selected in various creative fields.\nIn 2018 Francesco Faccin he begins his collaboration with the gallery with “Anonimo Contemporaneo”, a project that starts from the popular anonymous chair, the “Romanella”, to reflect on the idea of the archetype.",[],[124],{"_key":125,"_type":31,"children":126,"markDefs":131,"style":48},"3cbc7074c9db",[127],{"_key":128,"_type":35,"marks":129,"text":130},"5d95f80e2c9b",[],"Francesco Faccin (Milan, 1977)",[],{"alt":4,"asset":133},{"_id":134,"height":135,"orientation":136,"ratio":137,"url":138,"width":139},"image-96a0587e3c49ebd5400163c866995087de25e330-2822x4233-jpg",4233,"portrait",0.6666666666666666,"https://cdn.sanity.io/images/w19bax1v/production/96a0587e3c49ebd5400163c866995087de25e330-2822x4233.jpg",2822,{"_type":10,"current":141},"francesco-faccin","faccin","Francesco Faccin",{"end":145,"start":146},"2020-02-09","2020-02-03",{"landingImage":148,"thumbnailImage":155},{"alt":4,"asset":149},{"_id":150,"height":151,"orientation":136,"ratio":152,"url":153,"width":154},"image-9b153581b920af6eb4e55c67a06bcc9f076cca0c-1333x2000-jpg",2000,0.6665,"https://cdn.sanity.io/images/w19bax1v/production/9b153581b920af6eb4e55c67a06bcc9f076cca0c-1333x2000.jpg",1333,{"alt":4,"asset":156},{"_id":157,"height":158,"orientation":159,"ratio":160,"url":161,"width":158},"image-8a06fffd43eba1ed7325d9326c538d5d988b64ca-1500x1500-jpg",1500,"square",1,"https://cdn.sanity.io/images/w19bax1v/production/8a06fffd43eba1ed7325d9326c538d5d988b64ca-1500x1500.jpg","Italian Cultural Institute C.M. Lerici ",[164],{"_type":165,"text":166},"textBlock",[167,175],{"_key":168,"_type":31,"children":169,"markDefs":174,"style":48},"d40cc763fdd3",[170],{"_key":171,"_type":35,"marks":172,"text":173},"eab29c297c9e",[],"Anonimo Contemporaneo has come into being with the aim of intervening on a received original, varying its characteristics without altering its fundamental concept, thereby demonstrating that it is possible to revisit the same idea infinite times, while never repeating one’s self. Two kinds of wood, carbon-fiber, aluminium, straw, rubber and leather, the chair and low armchair. Designed by Faccin, this collection is a subtle and sophisticated experiment where in each variation interprets a different material, celebrating its specific qualities so as to restore, in a contemporary idiom, the essential idea of a chair that is popular, familiar and elegant: both iconic and anonymous. The collection focuses on the chair in its Italian declination.",[],{"_key":176,"_type":31,"children":177,"markDefs":182,"style":48},"43a1421f5809",[178],{"_key":179,"_type":35,"marks":180,"text":181},"50d112222746",[],"La Romanella is the Roman version of this category. In Italy, and throughout the Mediterranean, this type of chair exists in many variant forms, which however share many common formal and structural characteristics. This chair type represents a kind of object that has always existed and has evolved over time in an infinite range of variant formal solutions, each in search of the most efficient mode of production. By their nature these chairs are ‘by’ no-one and therefore belong to everyone and they are open to interpretation free of copyright.",[],{"_type":10,"current":184},"anonimo-contemporaneo-stockholm","Anonimo Contemporaneo, Stockholm",1778622957426]