[{"data":1,"prerenderedAt":237},["ShallowReactive",2],{"sanity-Ntct3f9W7y":3,"sanity-JGoQSbHL5U":63,"sanity-fQhS1iE5Wz":84},{"settings":4},{"footerColumnA":5,"footerColumnB":26,"footerItems":43,"socialLinks":54},[6],{"_key":7,"_type":8,"children":9,"markDefs":20,"style":25},"c9d979c2f8bf","block",[10,15],{"_key":11,"_type":12,"marks":13,"text":14},"4b62619e153b","span",[],"T: +39 0687652093\nE: ",{"_key":16,"_type":12,"marks":17,"text":19},"8751da97e31e",[18],"e1f7e54b7c03","info@giustinistagetti.com",[21],{"_key":18,"_type":22,"blank":23,"href":24},"link",true,"mailto:info@giustinistagetti.com","normal",[27,35],{"_key":28,"_type":8,"children":29,"markDefs":34,"style":25},"6b0afc71d83d",[30],{"_key":31,"_type":12,"marks":32,"text":33},"f57c42df265e",[],"Via Gregoriana 41\n00187 Rome\nItaly",[],{"_key":36,"_type":8,"children":37,"markDefs":42,"style":25},"324824f06de8",[38],{"_key":39,"_type":12,"marks":40,"text":41},"aae534659c9f",[],"Giusta S.r.l.s.\nP.I. C.F. 15246911000",[],[44],{"_type":45,"label":46,"page":47},"internalLink",null,{"_id":48,"_type":49,"seo":46,"slug":50,"title":53},"7f47b73d-575d-4f56-82a5-c2a0c5f2f8c6","pageA",{"_type":51,"current":52},"slug","imprint","Imprint",[55,59],{"_key":56,"_type":22,"title":57,"url":58},"2974397122df","Instagram","https://www.instagram.com/giustinistagetti/",{"_key":60,"_type":22,"title":61,"url":62},"377860ecd4ba","Facebook","https://www.facebook.com/p/Giustini-Stagetti-Roma-100063558789241/",{"author":46,"authorTypes":64,"productTypes":76},[65,71],{"_id":66,"_type":67,"slug":68,"title":70},"ee9e3677-1555-491d-8071-490535e93948","authorType",{"_type":51,"current":69},"modern","Modern",{"_id":72,"_type":67,"slug":73,"title":75},"749512dd-47d0-4d11-ab02-c9f8c78bed92",{"_type":51,"current":74},"contemporary","Contemporary",[77,81],{"_id":78,"_type":79,"slug":80,"title":70},"07631afe-8497-4b4e-a756-616fd241903d","productType",{"_type":51,"current":69},{"_id":82,"_type":79,"slug":83,"title":75},"eed9b354-e692-409a-a36d-0b6ddc95c772",{"_type":51,"current":74},{"authorsPage":85,"exhibition":90},{"_id":86,"_type":86,"seo":46,"slug":87,"title":89},"authorsPage",{"_type":51,"current":88},"authors","Authors",{"_id":91,"_type":92,"authors":93,"dates":159,"featuredImages":162,"location":173,"pageBuilder":174,"seo":46,"slug":234,"title":236},"c7e54f83-71ae-4ca6-aa56-532f8656dd09","exhibition",[94],{"_id":95,"_type":96,"bioExtended":97,"bioFull":121,"bioShort":138,"profileImage":147,"seo":46,"slug":155,"sortValue":157,"title":158},"f2380fe8-da6e-4e3a-9638-302a466556fe","author",[98,106,114],{"_key":99,"_type":8,"children":100,"markDefs":105,"style":25},"139013926275",[101],{"_key":102,"_type":12,"marks":103,"text":104},"efbeab99c618",[],"Konstantin Grcic (Munich, 1965) is a renowned designer trained as a cabinet maker and at the Royal College of Art in London. He founded his design studio in Munich in 1991, now based in Berlin. Grcic’s work spans industrial design, exhibitions, and architecture, with clients such as Cassina, Flos, and Vitra. His designs, including the MAYDAY lamp and MYTO chair, have won numerous awards, including the Compasso d'Oro. His work is featured in major design museums worldwide. ",[],{"_key":107,"_type":8,"children":108,"markDefs":113,"style":25},"405410910c4f",[109],{"_key":110,"_type":12,"marks":111,"text":112},"28ffe6c649c1",[],"",[],{"_key":115,"_type":8,"children":116,"markDefs":120,"style":25},"82fe59a1c208",[117],{"_key":118,"_type":12,"marks":119,"text":112},"0159ffe0ea9c",[],[],[122,130],{"_key":123,"_type":8,"children":124,"markDefs":129,"style":25},"97ac23c9ebc4",[125],{"_key":126,"_type":12,"marks":127,"text":128},"8486f415b316",[],"Konstantin Grcic (1965) was trained as a cabinet maker at The John Makepeace School for Craftsmen in Wood before studying Design at the Royal College of Art in London. He set up his own office in Munich in 1991. Today Konstantin Grcic Design is based in Berlin. The office is active in several fields ranging from industrial design projects, exhibition design and architectural collaborations. Amongst his renowned clients are Aeance, Authentics, Cassina, ClassiCon, Flötotto, Flos, Galerie Kreo, Kettal, Laufen, Magis, Muji, Nespresso, Plank, Smart and Vitra. He is the recipient of numerous awards such as the Compasso d`Oro for his MAYDAY lamp (Flos, 2001), the MYTO chair (Plank, 2011) and the OK lamp (Flos 2016). Work by Konstantin Grcic forms part of the permanent collections of the world´s most important design museums (a.o. MoMA/New York, Centre Georges Pompidou/Paris). Grcic defines function in human terms, combining formal strictness with considerable mental acuity and humour. His work is characterised by a careful research into the history of art, design and architecture and his passion for technology and materials. Solo exhibitions of his work have been held at the Boijmans Van Beuningen Museum, Rotterdam (2006), Haus der Kunst, Munich (2006) The Art Institute of Chicargo (2009) Vitra Design Museum, Weil-am-Rhine (2014) Die Neu Sammlung, Munich (2016) Kunsthalle, Bielefeld (2017).",[],{"_key":131,"_type":8,"children":132,"markDefs":137,"style":25},"31b9657fc3f6",[133],{"_key":134,"_type":12,"marks":135,"text":136},"95b3e727b270",[],"Inspired by the building principles of Pier Luigi Nervi, Konstantin Grcic’s “Magliana Project” – edited exclusively by Giustini / Stagetti – consists of a corpus of limited edition furniture – a modular table with integrated seating and suspension lighting – entirely executed in concrete according to the most innovative techniques developed from the latest studies on the material, and its small scale application.\n“Magliana Project” was launched as a temporary site-specific installation inside the venue that inspired it: the pavilion made in ferro-concrete built by Nervi in 1940s in the Roman suburbs Magliana.\n“Magliana Project” is part of the series Privato Romano Interno dedicated to contemporary design and curated by Emanuela Nobile Mino, who since 2011, has involved international designers in the production of new collections, executed with materials and techniques derived from Roman and Italian artisanal traditions.",[],[139],{"_key":140,"_type":8,"children":141,"markDefs":146,"style":25},"5dcd76cf4dd1",[142],{"_key":143,"_type":12,"marks":144,"text":145},"4baf9f4e85b9",[],"Konstantin Grcic (Munich, 1965) ",[],{"alt":46,"asset":148},{"_id":149,"height":150,"orientation":151,"ratio":152,"url":153,"width":154},"image-23c11ff1bf93258c6f753d80f012d2e504698c40-640x954-png",954,"portrait",0.6708595387840671,"https://cdn.sanity.io/images/w19bax1v/production/23c11ff1bf93258c6f753d80f012d2e504698c40-640x954.png",640,{"_type":51,"current":156},"konstantin-grcic","grcic","Konstantin Grcic",{"end":160,"start":161},"2022-06-10","2022-06-05",{"landingImage":163,"thumbnailImage":171},{"alt":46,"asset":164},{"_id":165,"height":166,"orientation":167,"ratio":168,"url":169,"width":170},"image-41af1243e32cd1361e1ebc4c402966263b088d63-5472x3648-jpg",3648,"landscape",1.5,"https://cdn.sanity.io/images/w19bax1v/production/41af1243e32cd1361e1ebc4c402966263b088d63-5472x3648.jpg",5472,{"alt":46,"asset":172},{"_id":165,"height":166,"orientation":167,"ratio":168,"url":169,"width":170},"Spazio NFQ",[175,226],{"_type":176,"text":177},"textBlock",[178,186,194,202,210,218],{"_key":179,"_type":8,"children":180,"markDefs":185,"style":25},"9ed7089d889e",[181],{"_key":182,"_type":12,"marks":183,"text":184},"953e32615fcc",[],"On the occasion of the Milan Design Week, Giustini/Stagetti exclusively presents two limited edition furniture pieces by Konstantin Grcic: DAYBED and WALL.",[],{"_key":187,"_type":8,"children":188,"markDefs":193,"style":25},"8444c60e1ec5",[189],{"_key":190,"_type":12,"marks":191,"text":192},"39feff4222a2",[],"Entitled Ceci n’est pas un mur, the show at NFQ ironically makes reference to Magritte’s famous painting of a pipe which is known to be an image of a pipe and not the object itself. By referring to Magritte, Grcic provokes us to question our perception of the objects that surround us.",[],{"_key":195,"_type":8,"children":196,"markDefs":201,"style":25},"a82415880632",[197],{"_key":198,"_type":12,"marks":199,"text":200},"a1993badac05",[],"Both projects, DAYBED and WALL, extrapolate the classical format of furniture to the scale of micro-architecture. The pieces not only furnish a space, they each create a space in their own right.",[],{"_key":203,"_type":8,"children":204,"markDefs":209,"style":25},"04f791166e36",[205],{"_key":206,"_type":12,"marks":207,"text":208},"d5270b338a76",[],"The DAYBED is designed as a self-contained cell for reading, studying and contemplation— much like a renaissance studiolo. The mattress is placed inside a wooden box which is defined by a rectangular platform and two adjoining sides. The wall at the head of the mattress contains a small window with a ledge that projects outwards. The inside of the longitudinal wall features a wooden drawer and a shelf. The latter expands into a small desk area, which cantilevers to the outside of the box. It would be used by pulling up a chair. The DAYBED’s main structure is made of saw-cut oak veneer which is laid in a special pattern. The mattress is covered in a natural-coloured wool bouclé fabric, giving the piece warmth and tranquillity.",[],{"_key":211,"_type":8,"children":212,"markDefs":217,"style":25},"5011e3b5a412",[213],{"_key":214,"_type":12,"marks":215,"text":216},"55fd5bba8887",[],"WALL is a big free-standing structure which consists of three modules in different length—A (one meter), B (two meters), C (three meters)—that can be stringed together in a multitude of configurations: ABC, BAC, CAB and so on. At first glance, WALL recalls the scaled-up model of a high-rise building. The open structure develops on multiple levels, including intersecting vertical and horizontal planes that create open and closed areas. Elements might resemble a staircase, a supply shaft, a window. WALL could be a bookshelf, but given its big size and formal diversity, it can be used in many ways, depending on the person’s needs or creative imagination. WALL is made in wood; it is hand-painted in grey such that the individual brush strokes are visible. Its colour emphasizes the piece’s architectural character and solidity.",[],{"_key":219,"_type":8,"children":220,"markDefs":225,"style":25},"488e6592db32",[221],{"_key":222,"_type":12,"marks":223,"text":224},"e5b88e500990",[],"With both works, Konstantin Grcic returns to the material he used at his professional beginnings: wood. Konstantin did an apprenticeship at the John Makepeace School for Craftsmen in Wood, in Dorset, England. These forming years laid the foundation for Konstantin’s master’s studies in industrial design at the Royal College of Art—and, ultimately, led to his work for industry. Throughout his career, craftsmanship has remained an important point of reference for him.",[],{"_type":227,"caption":46,"image":228,"settings":232},"imageBlock",{"alt":46,"asset":229},{"_id":230,"height":166,"orientation":167,"ratio":168,"url":231,"width":170},"image-48cc70594defb72726d49396204b464285fb1e88-5472x3648-jpg","https://cdn.sanity.io/images/w19bax1v/production/48cc70594defb72726d49396204b464285fb1e88-5472x3648.jpg",{"imageSize":233},"fullbleed",{"_type":51,"current":235},"ceci-n-est-pas-un-mur-milan","Ceci n’est pas un mur, Milan",1778622942538]