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They graduated from Design Academy Eindhoven in 2009, and their work focuses on experimental material research and the transformation of natural resources into commodities. They collaborate with brands like Fendi, Hermès, and Flos, blending craft and industry. Their designs are in prestigious museums such as MoMA, V&A, and the Centre Georges Pompidou. Formafantasma lectures internationally and leads workshops, including a new Masters program in “GEODESIGN” at Design Academy Eindhoven. They were named Wallpaper* Designer of the Year in 2021.",[],[107,115,123,131,139,147],{"_key":108,"_type":31,"children":109,"markDefs":114,"style":48},"66e13ac17b07",[110],{"_key":111,"_type":35,"marks":112,"text":113},"e81a75d76aa2",[],"Andrea Trimarchi (1983) and Simone Farresin (1980) are Formafantasma, an Italian design duo based in Milano. Their interest in product design developed on the IM master course at Design Academy Eindovhen, where they graduated in July 2009.",[],{"_key":116,"_type":31,"children":117,"markDefs":122,"style":48},"01537ad2e9eb",[118],{"_key":119,"_type":35,"marks":120,"text":121},"679bb471f0be",[],"Since then, Formafantasma’s practice has been characterised by experimental material investigations and detailed explorations of the history, context and implications of the transformation of natural resources into commodities. In perceiving their role as a bridge between craft, industry, object and user, they are interested in forging links between their research-based practice and a wider design industry. As a result, works by Formafantasma have been commisioned by a variety of partners including Fendi, Max Mara – Sportmax, Hermès, Droog, Nudus rug, J&L Lobmeyr, Gallery Libby Sellers, Established and Sons, Lexus, Krizia International and Flos., Gallery Giustini / Stagetti Roma.",[],{"_key":124,"_type":31,"children":125,"markDefs":130,"style":48},"cc0ff53e39bd",[126],{"_key":127,"_type":35,"marks":128,"text":129},"3763aea84e34",[],"Wheter designing for a client or investigating alternative applications of materials, Formafantasma apply the same rigouros attention to context, process and detail to every project the undertake. The added nuance for the duo is that they do so with an eye to the historical, political and social forces that have shaped their environments.",[],{"_key":132,"_type":31,"children":133,"markDefs":138,"style":48},"15e233d752f5",[134],{"_key":135,"_type":35,"marks":136,"text":137},"d36c25e161c4",[],"Their work has been presented and published internationally and museums such as New York’s MoMA, London’s Victoria and Albert, New York’s Metropolitan Museum, the Chicago Art Institute, Paris’s Centre Georges Pompidou, the TextielMuseum in Tilburg, the Stedelijk’s-Hertogenbosch, the Stedelijk Museum Amsterdam, Mudac Lausanne, the Mint Museum of Craft and Design in North Carolina and the MAK Museum in Vienna have all acquired Formafantasma’s designs for their permanent collections.",[],{"_key":140,"_type":31,"children":141,"markDefs":146,"style":48},"7486803768d5",[142],{"_key":143,"_type":35,"marks":144,"text":145},"2f29b09c6960",[],"In March 2011 Paola Antonelli of the Museum of Modern Art in New York and esteemed design critic Alice Rawsthorn listed their studio amongst a handful of practices that would shape the future of design. Andrea and Simone are lecturing and heading workshops in various Universities and Institutions. Currently they are teaching at the “Well Being” and “Contextual Design” Departments of the Design Academy Eindhoven. This exhibition will become the foundation of the new Masters programme that Formafantasma are leading from autumn 2020 at the design Academy Eindhoven, titled “GEODESIGN”. Since October 2016, they have been at the head of the Design bachelor at MADE Program in Siracusa, Italy.",[],{"_key":148,"_type":31,"children":149,"markDefs":154,"style":48},"af1f9684422b",[150],{"_key":151,"_type":35,"marks":152,"text":153},"5d01da72a08f",[],"Formafantasma has been awarded Wallpaper* Designer of the Year 2021.",[],[156,164],{"_key":157,"_type":31,"children":158,"markDefs":163,"style":48},"d23635d39c06",[159],{"_key":160,"_type":35,"marks":161,"text":162},"e086f264d4c9",[],"Formafantasma",[],{"_key":165,"_type":31,"children":166,"markDefs":171,"style":48},"b64f02da9df2",[167],{"_key":168,"_type":35,"marks":169,"text":170},"2529a373ea27",[],"Andrea Trimarchi (Bolzano, 1983) and Simone Farresin (Malo, 1980)",[],{"alt":4,"asset":173},{"_id":174,"height":175,"orientation":176,"ratio":177,"url":178,"width":179},"image-f26493e8e9a7b9fa77ca39292ec8825456574d02-600x900-jpg",900,"portrait",0.6666666666666666,"https://cdn.sanity.io/images/w19bax1v/production/f26493e8e9a7b9fa77ca39292ec8825456574d02-600x900.jpg",600,{"_type":10,"current":181},"formafantasma",{"end":183,"start":184},"2024-11-07","2024-10-03",{"landingImage":186,"thumbnailImage":193},{"alt":4,"asset":187},{"_id":188,"height":189,"orientation":176,"ratio":190,"url":191,"width":192},"image-4abb6ed505c06ad3c962c9a820d484846b060673-3645x4184-jpg",4184,0.8711759082217974,"https://cdn.sanity.io/images/w19bax1v/production/4abb6ed505c06ad3c962c9a820d484846b060673-3645x4184.jpg",3645,{"alt":4,"asset":194},{"_id":195,"height":196,"orientation":197,"ratio":198,"url":199,"width":200},"image-4c7047ccd8e82bc2e1526c40c8384b7e091be218-4951x3301-jpg",3301,"landscape",1.499848530748258,"https://cdn.sanity.io/images/w19bax1v/production/4c7047ccd8e82bc2e1526c40c8384b7e091be218-4951x3301.jpg",4951,"Galleria Giustini / Stagetti",[203,254],{"_type":204,"text":205},"textBlock",[206,214,222,230,238,246],{"_key":207,"_type":31,"children":208,"markDefs":213,"style":48},"48202aec4fc1",[209],{"_key":210,"_type":35,"marks":211,"text":212},"1cd031447cfa",[],"Galleria Giustini / Stagetti presents the exhibition Formafantasma. \"La casa dentro\" (The Home Within), the result of the duo of designers' latest research on the idea of the home, explored as a physical space and as a complex set of human relationships and themes linked to personal identity and collective memory.",[],{"_key":215,"_type":31,"children":216,"markDefs":221,"style":48},"42c077e07256",[217],{"_key":218,"_type":35,"marks":219,"text":220},"300af82173ef",[],"The title of the exhibition, “La casa dentro”, refers to an introspective vision of the domestic environment, where psychological and emotional nuances intersect. Starting from memories of their own childhood homes, populated by decorative elements and handmade objects, Formafantasma sets up a critical reading of the ideological dogmas inherited from Modernism, which identified rationality and sobriety as components to be promoted, as opposed to ornamental tensions. Drawing inspiration from their own education, Formafantasma challenges the concept of canon which, in its masculine vision as an extension of rationality, tends to erase from living space the sentimental elements and decorative features that can create a dimension of domesticity.",[],{"_key":223,"_type":31,"children":224,"markDefs":229,"style":48},"91b872bccd29",[225],{"_key":226,"_type":35,"marks":227,"text":228},"4c63aae29ca2",[],"Formafantasma explains in a dense conversation with curator Alberto Salvadori: \"We wanted to depart from this staple of modern design and to stress its implicit ideologies by pairing it with decorative patterns either painted or embroidered. This isn't a postmodern pastiche, neither an ode to campness nor to kitsch. It is a romantic attempt to dignify personal memories and what is often culturally vilified, the decorative, the cute and, by extension of meaning, the feminine.\"",[],{"_key":231,"_type":31,"children":232,"markDefs":237,"style":48},"d8b4da9199e9",[233],{"_key":234,"_type":35,"marks":235,"text":236},"e640f569d4de",[],"\"La casa dentro\" populates the spaces of the gallery with limited edition works (seating, furniture, lamps) where a founding element of the modernist tradition, the metal tube, intersects with purely ornamental objects and motifs. The rationality of curved steel is enriched with wooden planks decorated with hand-painted floral motifs, handmade embroidery and silk ruffles, defining a hybrid environment that combines personal memories and the intellectual heritage of architecture and design.",[],{"_key":239,"_type":31,"children":240,"markDefs":245,"style":48},"2d1b776299f9",[241],{"_key":242,"_type":35,"marks":243,"text":244},"c0bf4a7bec66",[],"In a particularly intimate and personal approach, Formafantasma manipulates the codes of modernist design to construct an original reflection on memory. \"La casa dentro\" gives back the visitor a narrative dedicated to what has been lost, erased and at risk of extinction, punctuated at times with disturbing muses linked to the immobility of objects and the unconscious certainty that they will outlive the human beings who created them.",[],{"_key":247,"_type":31,"children":248,"markDefs":253,"style":48},"207899be310c",[249],{"_key":250,"_type":35,"marks":251,"text":252},"3693af2496ed",[],"On the occasion of the opening, the collection's catalog has been presented, featuring a critical essay by Alessandro Rabottini and an interview by Alberto Salvadori.",[],{"_type":255,"caption":4,"image":256,"settings":263},"imageBlock",{"alt":4,"asset":257},{"_id":258,"height":259,"orientation":176,"ratio":260,"url":261,"width":262},"image-0d2ff63a20d36d30af2bbb3d98a2b90bd099a7cf-3565x5347-jpg",5347,0.6667290069197681,"https://cdn.sanity.io/images/w19bax1v/production/0d2ff63a20d36d30af2bbb3d98a2b90bd099a7cf-3565x5347.jpg",3565,{"imageSize":264},"default",{"_type":10,"current":266},"la-casa-dentro-rome","La Casa Dentro, Rome",1778622957751]