[{"data":1,"prerenderedAt":251},["ShallowReactive",2],{"sanity-Ntct3f9W7y":3,"sanity-JGoQSbHL5U":63,"sanity-yMDoG7neLw":84},{"settings":4},{"footerColumnA":5,"footerColumnB":26,"footerItems":43,"socialLinks":54},[6],{"_key":7,"_type":8,"children":9,"markDefs":20,"style":25},"c9d979c2f8bf","block",[10,15],{"_key":11,"_type":12,"marks":13,"text":14},"4b62619e153b","span",[],"T: +39 0687652093\nE: ",{"_key":16,"_type":12,"marks":17,"text":19},"8751da97e31e",[18],"e1f7e54b7c03","info@giustinistagetti.com",[21],{"_key":18,"_type":22,"blank":23,"href":24},"link",true,"mailto:info@giustinistagetti.com","normal",[27,35],{"_key":28,"_type":8,"children":29,"markDefs":34,"style":25},"6b0afc71d83d",[30],{"_key":31,"_type":12,"marks":32,"text":33},"f57c42df265e",[],"Via Gregoriana 41\n00187 Rome\nItaly",[],{"_key":36,"_type":8,"children":37,"markDefs":42,"style":25},"324824f06de8",[38],{"_key":39,"_type":12,"marks":40,"text":41},"aae534659c9f",[],"Giusta S.r.l.s.\nP.I. C.F. 15246911000",[],[44],{"_type":45,"label":46,"page":47},"internalLink",null,{"_id":48,"_type":49,"seo":46,"slug":50,"title":53},"7f47b73d-575d-4f56-82a5-c2a0c5f2f8c6","pageA",{"_type":51,"current":52},"slug","imprint","Imprint",[55,59],{"_key":56,"_type":22,"title":57,"url":58},"2974397122df","Instagram","https://www.instagram.com/giustinistagetti/",{"_key":60,"_type":22,"title":61,"url":62},"377860ecd4ba","Facebook","https://www.facebook.com/p/Giustini-Stagetti-Roma-100063558789241/",{"author":46,"authorTypes":64,"productTypes":76},[65,71],{"_id":66,"_type":67,"slug":68,"title":70},"ee9e3677-1555-491d-8071-490535e93948","authorType",{"_type":51,"current":69},"modern","Modern",{"_id":72,"_type":67,"slug":73,"title":75},"749512dd-47d0-4d11-ab02-c9f8c78bed92",{"_type":51,"current":74},"contemporary","Contemporary",[77,81],{"_id":78,"_type":79,"slug":80,"title":70},"07631afe-8497-4b4e-a756-616fd241903d","productType",{"_type":51,"current":69},{"_id":82,"_type":79,"slug":83,"title":75},"eed9b354-e692-409a-a36d-0b6ddc95c772",{"_type":51,"current":74},{"authorsPage":85,"exhibition":90},{"_id":86,"_type":86,"seo":46,"slug":87,"title":89},"authorsPage",{"_type":51,"current":88},"authors","Authors",{"_id":91,"_type":92,"authors":93,"dates":160,"featuredImages":163,"location":179,"pageBuilder":180,"seo":46,"slug":248,"title":250},"a5962141-d29a-44cc-85e7-e33cad7107e6","exhibition",[94],{"_id":95,"_type":96,"bioExtended":97,"bioFull":106,"bioShort":139,"profileImage":148,"seo":46,"slug":156,"sortValue":158,"title":159},"dc97c4dc-95fb-4271-a182-301e34598481","author",[98],{"_key":99,"_type":8,"children":100,"markDefs":105,"style":25},"039af9d94ff0",[101],{"_key":102,"_type":12,"marks":103,"text":104},"9d6d460436dc",[],"Luigi and Eros Genazzi were pivotal figures in 20th-century Italian silver craftsmanship, blending tradition with modern design. Luigi, born in 1876, trained in Milan and gained recognition as an engraver and medalist. In 1919, he founded his workshop, becoming a master silversmith, influenced by the Secessionist and Art Deco movements. In the 1920s, he collaborated with designers like Gio Ponti. His son Eros, born in 1908, brought innovative approaches in the 1930s-40s, gaining praise at international exhibitions. After Luigi’s death in 1946, Eros led the workshop to further success, earning multiple awards and leaving a lasting legacy.",[],[107,115,123,131],{"_key":108,"_type":8,"children":109,"markDefs":114,"style":25},"52a00f627653",[110],{"_key":111,"_type":12,"marks":112,"text":113},"a4bf4b2de3d3",[],"Luigi and Eros Genazzi were two key figures in the landscape of 20th-century Italian silver craftsmanship, skill fully combining the rich artisan tradition with modern design innovation. Luigi Genazzi, born in 1876, trained in Milanese workshops and prestigious artistic institutions such as the Brera Academy and the Sforza Castle. From the early 1900s, he distinguished himself as an engraver and medalist, earning significant accolades such as the gold medal at the 1906 Milan Exhibition and the Grand Prix at the 1908 Genoa Exhibition. In 1919, he established his first artisan workshop, the \"Award-Winning Artistic Industrial Workshop for Chiseling, Engraving, and Silverware,\" solidifying his reputation as a master silversmith with creations embodying the refined aesthetics of the Secessionist and Art Deco movements.",[],{"_key":116,"_type":8,"children":117,"markDefs":122,"style":25},"9989e8f53eb5",[118],{"_key":119,"_type":12,"marks":120,"text":121},"17abc56e5ff9",[],"Starting in the 1920s, Luigi Genazzi began producing silver artifacts in collaboration with prominent architects and designers, including Ugo Zanchetta and Gio Ponti. His creations were characterized by clean lines and meticulous surface treatments, anticipating the rationalist design trends that would shape the following decades. In 1929, he moved his business to a new workshop on Via Quadronno in Milan, where around one hundred artisans worked, including his son Eros, born in 1908. Eros, after training at the Brera Academy and apprenticing under Piero Riboldi, introduced an even more innovative vision, incorporating modern elements and experimenting with materials and forms.",[],{"_key":124,"_type":8,"children":125,"markDefs":130,"style":25},"bd817ef6f240",[126],{"_key":127,"_type":12,"marks":128,"text":129},"513692829a29",[],"During the 1930s and 1940s, the Genazzi workshop experienced a period of remarkable growth, thanks in part to collaborations with renowned designers such as Ignazio Gardella and Corrado Corradi. The atelier successfully participated in numerous international exhibitions, including the Milan Triennials and the 1937 Paris Exhibition, where Eros Genazzi’s works—distinguished by biomorphic shapes and masterfully crafted surfaces—were highly praised. However, World War II abruptly halted this upward trajectory: the 1943 bombings severely damaged the workshop and destroyed the company’s historical archives. Luigi's passing in 1946 marked the definitive transition of leadership to Eros.",[],{"_key":132,"_type":8,"children":133,"markDefs":138,"style":25},"052e920ac83b",[134],{"_key":135,"_type":12,"marks":136,"text":137},"4c3079513abd",[],"In the 1950s and 1960s, Eros Genazzi further cemented the workshop’s prestige, steering it toward an increasingly refined and innovative design approach. His work stood out for its perfect fusion of functionality and aesthetic sophistication, as evidenced by the numerous awards he received, including the Compasso d’Oro in 1951 for a blackened silver cocktail set and in 1957 for a cutting-edge coffee pot design. Maintaining a continuous dialogue between craftsmanship and industrial design, the Genazzi Workshop upheld a distinct identity, establishing itself as one of Italy’s leading silverware ateliers and leaving a legacy of extraordinary elegance and innovation.",[],[140],{"_key":141,"_type":8,"children":142,"markDefs":147,"style":25},"c88303b62991",[143],{"_key":144,"_type":12,"marks":145,"text":146},"92a2461ccb00",[],"Luigi (1876) and Eros Genazzi (1908)",[],{"alt":46,"asset":149},{"_id":150,"height":151,"orientation":152,"ratio":153,"url":154,"width":155},"image-6e71376ec30b00a81c300633ae132d710f5f73e2-6710x4764-jpg",4764,"landscape",1.4084802686817801,"https://cdn.sanity.io/images/w19bax1v/production/6e71376ec30b00a81c300633ae132d710f5f73e2-6710x4764.jpg",6710,{"_type":51,"current":157},"luigi-ed-eros-genazzi","genazzi","Luigi ed Eros Genazzi",{"end":161,"start":162},"2024-06-28","2024-05-23",{"landingImage":164,"thumbnailImage":172},{"alt":46,"asset":165},{"_id":166,"height":167,"orientation":168,"ratio":169,"url":170,"width":171},"image-2fb4c06f13dc7373f699654c946501e6d4f35932-3424x5136-jpg",5136,"portrait",0.6666666666666666,"https://cdn.sanity.io/images/w19bax1v/production/2fb4c06f13dc7373f699654c946501e6d4f35932-3424x5136.jpg",3424,{"alt":46,"asset":173},{"_id":174,"height":175,"orientation":152,"ratio":176,"url":177,"width":178},"image-0a83f2006e1a52ba43d5261e2d7fac6192432c04-5472x3648-jpg",3648,1.5,"https://cdn.sanity.io/images/w19bax1v/production/0a83f2006e1a52ba43d5261e2d7fac6192432c04-5472x3648.jpg",5472,"Galleria Giustini / Stagetti",[181,240],{"_type":182,"text":183},"textBlock",[184,192,200,208,216,224,232],{"_key":185,"_type":8,"children":186,"markDefs":191,"style":25},"408f54d4ba17",[187],{"_key":188,"_type":12,"marks":189,"text":190},"735a442d636d",[],"Galleria Giustini / Stagetti presents the exhibition \"Genazzi. Oggetti in Argento, 1930-1960\", dedicated to the research conducted by the Milanese manufacturing company of Luigi and Eros Genazzi, through a selection of works that testify to the evolution of the forms and the experimental techniques in the construction of the pieces as well as in the treatment of their surfaces.",[],{"_key":193,"_type":8,"children":194,"markDefs":199,"style":25},"9590c2769c38",[195],{"_key":196,"_type":12,"marks":197,"text":198},"eda13b2a72fa",[],"The two silversmiths, father and son, are among the leaders of a stylistic renewal that involved an entire artisan tradition, giving life to one of the most coherent and refined episodes in the affirmation of modern taste, contributing to the construction of some of the first and most significant meeting points of the history of the Decorative Arts of the Italian 20th century and that of Industrial Design.",[],{"_key":201,"_type":8,"children":202,"markDefs":207,"style":25},"c1cb29a971d3",[203],{"_key":204,"_type":12,"marks":205,"text":206},"e676e683e729",[],"After an initial phase which saw him busy as an engraver and medalist, Luigi took up the profession of silversmith and chiseler, distinguishing himself in the panorama of the highest quality of Lombard craftsmanship already in the mid-1920s, known for the elegance of his rigorous lines and precision of applications and decorative motifs.",[],{"_key":209,"_type":8,"children":210,"markDefs":215,"style":25},"75166ff2a3b7",[211],{"_key":212,"_type":12,"marks":213,"text":214},"cfb6ca71db30",[],"In 1929 his son Eros joined the company in the role of designer and in the creation of the Genazzi family's \"Laboratorio ArtisticoIndustriale di Cesello, Incisione e Argenteria\" in Milan, whose signature will be the unmistakable leaf-shaped stamp, beginning in 1933, of a stylized clover.",[],{"_key":217,"_type":8,"children":218,"markDefs":223,"style":25},"176a0b6dcea1",[219],{"_key":220,"_type":12,"marks":221,"text":222},"2cfa205aa1a9",[],"Here begins the story of the intense synergy between father and son, also characterized by numerous collaborations with authors such as Gio Ponti, Giuseppe Pagano, Corrado Corradi dell’Acqua, and Ignazio Gardella.",[],{"_key":225,"_type":8,"children":226,"markDefs":231,"style":25},"899eaa1df997",[227],{"_key":228,"_type":12,"marks":229,"text":230},"b23613adca30",[],"The result is an avant-garde production, which lasted until the 1960s, whose success was due to an unprecedented interpretation of traditional silver working, in which the mastery of the elegance of deco models and a refined, clear, and fundamental 20th century vocabulary converge.",[],{"_key":233,"_type":8,"children":234,"markDefs":239,"style":25},"20ef70c11448",[235],{"_key":236,"_type":12,"marks":237,"text":238},"48eae60b2b98",[],"For the occasion of the exhibition, organized in collaboration with Galleria Luciano Colantonio in Brescia, a catalog has been published with a critical essay by Valerio Terraroli, the result of which is a chronological and stylistic definition of this specific production.",[],{"_type":241,"caption":46,"image":242,"settings":246},"imageBlock",{"alt":46,"asset":243},{"_id":244,"height":178,"orientation":168,"ratio":169,"url":245,"width":175},"image-7bf18adcb21b3f531b3d29d03307cafe1d85717b-3648x5472-jpg","https://cdn.sanity.io/images/w19bax1v/production/7bf18adcb21b3f531b3d29d03307cafe1d85717b-3648x5472.jpg",{"imageSize":247},"default",{"_type":51,"current":249},"oggetti-in-argento-1930-1960-rome","Oggetti in Argento, 1930 - 1960, Rome",1778622957633]