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C.F. 15246911000",[],[67],{"_type":68,"label":4,"page":69},"internalLink",{"_id":70,"_type":71,"seo":4,"slug":72,"title":74},"7f47b73d-575d-4f56-82a5-c2a0c5f2f8c6","pageA",{"_type":10,"current":73},"imprint","Imprint",[76,80],{"_key":77,"_type":45,"title":78,"url":79},"2974397122df","Instagram","https://www.instagram.com/giustinistagetti/",{"_key":81,"_type":45,"title":82,"url":83},"377860ecd4ba","Facebook","https://www.facebook.com/p/Giustini-Stagetti-Roma-100063558789241/",{"authorsPage":85,"exhibition":90},{"_id":86,"_type":86,"seo":4,"slug":87,"title":89},"authorsPage",{"_type":10,"current":88},"authors","Authors",{"_id":91,"_type":92,"authors":93,"dates":152,"featuredImages":155,"location":171,"pageBuilder":172,"seo":4,"slug":216,"title":218},"7d462eca-e52a-481e-adbe-faf644613e6c","exhibition",[94],{"_id":95,"_type":96,"bioExtended":97,"bioFull":106,"bioShort":131,"profileImage":140,"seo":4,"slug":148,"sortValue":150,"title":151},"dfbd885d-482d-46a7-8f07-c92daf9b35b1","author",[98],{"_key":99,"_type":31,"children":100,"markDefs":105,"style":48},"73c16e78ae88",[101],{"_key":102,"_type":35,"marks":103,"text":104},"be462c770bee",[],"Andrea Anastasio (Rome, 1961) is a multidisciplinary artist with a background in street performance, art history, and philosophy. In the ’80s and ’90s, he traveled extensively in India, working with UNESCO and studying Indian art and philosophy. Anastasio has collaborated with architectural firms and designed for companies like Artemide and Memphis-Milan. His work blends industrial processes with traditional craftsmanship, focusing on domestic objects and materials. Through simple gestures like assemblage and weaving, he challenges perceptions of reality, exploring themes of temporality and human fragility. His creations emphasize the contradictions of human existence, often evoked in domestic spaces.",[],[107,115,123],{"_key":108,"_type":31,"children":109,"markDefs":114,"style":48},"fae46e4f3bec",[110],{"_key":111,"_type":35,"marks":112,"text":113},"17b4f330ff3e",[],"In the ’70s Andrea Anastasio (Rome, 1961) is a member of MTM and is trained in street performance at the school of circus with Roy Bosier and Jango Edwards. He studies art history and oriental studies in Rome and at I.S.M.E.O.. Later he obtains his M.A.in philosophy in Venice. Throughout the ’80s and ’90s he travels extensively in India, studying Indian art history and philosophy. He works at the cataloguing of Islamic architecture in India for UNESCO and at the publication of the teaching of J. Krishnamurti at the K.F.I. Foundation in Madras. In the same years he collaborates with UDRI in Bombay and with the architectural firm Rahul Mehrotra & Associates-Bombay. He works at identifying and cataloguing craft and building techniques in the rural areas of India.",[],{"_key":116,"_type":31,"children":117,"markDefs":122,"style":48},"6fd89cd2a95f",[118],{"_key":119,"_type":35,"marks":120,"text":121},"3df9b8ec5bca",[],"He designs for Italian companies such as Artemide, Memphis-Milan and Danese, connoting his projects of hybridizations of the industrial production processes with craft procedures and by the use of hand made materials that are then industrially finished. Since 2002 his work focuses on manipulating objects and materials of domestic usage and consumer-goods. By reiterating simple gestures or craft techniques like assemblage, weaving, collage, etc. or just by juxtaposing objects, underlining gestures and aspects of daily life that normally go unnoticed, Anastasio’s work generates linguistic short-circuits that challenge the common perception and definition of reality. By the making of objects, pictures, drawings, books and videos, his research focuses on temporality, fragility of human condition, on the definition of reality. He approaches domestic space as the privileged stage where the contradictions of human existence can be evoked and re-enacted.",[],{"_key":124,"_type":31,"children":125,"markDefs":130,"style":48},"5caf2f95c905",[126],{"_key":127,"_type":35,"marks":128,"text":129},"eb5fa5d8a0ad",[],"Andrea Anastasio’s works here presented have been conceived exclusively for the gallery within its territorial survey aimed at identifying Roman authors operating in contemporary design with an international attitude combined with a deeply rooted cultural vocation to the genius loci and whose direction of research leads them to exploit techniques and materials of the Roman and Italian artistic and artisanal tradition.",[],[132],{"_key":133,"_type":31,"children":134,"markDefs":139,"style":48},"ab8b42839a7a",[135],{"_key":136,"_type":35,"marks":137,"text":138},"70964bac30ec",[],"Andrea Anastasio (Rome, 1961)",[],{"alt":4,"asset":141},{"_id":142,"height":143,"orientation":144,"ratio":145,"url":146,"width":147},"image-3a076863bed01a0de511ae5999b0a2ae635e5384-640x962-png",962,"portrait",0.6652806652806653,"https://cdn.sanity.io/images/w19bax1v/production/3a076863bed01a0de511ae5999b0a2ae635e5384-640x962.png",640,{"_type":10,"current":149},"andrea-anastasio","anastasio ","Andrea Anastasio ",{"end":153,"start":154},"2015-03-21","2015-02-21",{"landingImage":156,"thumbnailImage":163},{"alt":4,"asset":157},{"_id":158,"height":159,"orientation":144,"ratio":160,"url":161,"width":162},"image-d2c529482bb1088eb6d2d40e382f6c967c5012a0-2000x3000-jpg",3000,0.6666666666666666,"https://cdn.sanity.io/images/w19bax1v/production/d2c529482bb1088eb6d2d40e382f6c967c5012a0-2000x3000.jpg",2000,{"alt":4,"asset":164},{"_id":165,"height":166,"orientation":167,"ratio":168,"url":169,"width":170},"image-bb5d06864cf41af4cd7baa7175895cd8a062b682-5184x3456-jpg",3456,"landscape",1.5,"https://cdn.sanity.io/images/w19bax1v/production/bb5d06864cf41af4cd7baa7175895cd8a062b682-5184x3456.jpg",5184,"Galleria Giustini / Stagetti",[173,200],{"_type":174,"text":175},"textBlock",[176,184,192],{"_key":177,"_type":31,"children":178,"markDefs":183,"style":48},"b7f1c63fd608",[179],{"_key":180,"_type":35,"marks":181,"text":182},"25e2fc583fe9",[],"The one-of-a-kind works designed by Andrea Anastasio for the gallery – tables, carpets and seats – are characterised by the use of materials that are contrasting in its make-up and origin, express the need to symbolically verify the relevance of a constructive process based on the compatibility of jarring juxtapositions.\nThe rigidity and hardness of the stone are, in fact, juxtaposed with the softness and flexibility of the fabric; the spontaneity of geological formations are confronted with the manufactured artefact, the variety of shades and textures found in nature are paired with those industrially produced, as if with in these two poles you could articulate the entire horizon of human habitation.\nThe same approach is used in the processing of the materials. Both the heavy-and-fragile (marble) and those soft (textile) are processed by a combination of traditional craftsmanship and modern technology. The tables, for example, are built by using the ancient gesture of “mending”, which in this case is made with leather laces that are applied to hold together fragments and slabs of marble – like yellow of Siena, the black Belgian, the Levanto red – that we repreviously modelled with the aid of a computerized water jet cutter machine.",[],{"_key":185,"_type":31,"children":186,"markDefs":191,"style":48},"b775b08f2dc1",[187],{"_key":188,"_type":35,"marks":189,"text":190},"f0ddbcb2af87",[],"The making of the carpets follow a similar principle. Strips of handwoven velvet jacquard (Colony-Rome) are cut and edged with industrial machine to be then interlaced by hand thus enhancing the compositional texture by contrasting colours, styles and patterns.",[],{"_key":193,"_type":31,"children":194,"markDefs":199,"style":48},"3d4e38705fb6",[195],{"_key":196,"_type":35,"marks":197,"text":198},"00ec97a54717",[],"Similarly, the idea of enriching the aesthetics and the semantics of a domestic interior is obtained by introducing an innovative and rather subversive chair composed by seemingly unstable and fragile stack of pillows. The “pillow-case” chair is made out of three cushions, upholstered with velvets designed by Raf Simons for Kvadrat, and by silk satin manufactured by Verel de Belval.\nIt transforms the cushion from an accessorial element of interior decoration into a proper and solid piece of furniture.",[],{"_type":201,"images":202,"settings":4},"imagesBlock",[203,209],{"alt":4,"asset":204},{"_id":205,"height":206,"orientation":167,"ratio":207,"url":208,"width":159},"image-54477ff6b8aa21219ea6f46a889c8e8b307d550e-3000x2119-jpg",2119,1.4157621519584709,"https://cdn.sanity.io/images/w19bax1v/production/54477ff6b8aa21219ea6f46a889c8e8b307d550e-3000x2119.jpg",{"alt":4,"asset":210},{"_id":211,"height":212,"orientation":167,"ratio":213,"url":214,"width":215},"image-8418f2570cb64403552a3266c52ebf7f803247b3-4943x3071-jpg",3071,1.6095734288505372,"https://cdn.sanity.io/images/w19bax1v/production/8418f2570cb64403552a3266c52ebf7f803247b3-4943x3071.jpg",4943,{"_type":10,"current":217},"solo-show-rome","Solo show, Rome",1778622956780]