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He graduated from the Politecnico di Milano in 1944 and worked with BBPR before establishing his own practice. A professor of Interior Architecture and later Architectural Composition, he researched residential spaces, museums, and theaters. In the 1950s, he became the artistic director of Arteluce, influencing its design with iconic light fixtures. Viganò worked on numerous architectural projects, including residential designs and commercial spaces. He also contributed to urban planning in Milan, Rimini, and Salò. ",[],{"_key":107,"_type":8,"children":108,"markDefs":113,"style":25},"9aa679640646",[109],{"_key":110,"_type":12,"marks":111,"text":112},"f2fa2f01bc71",[],"",[],{"_key":115,"_type":8,"children":116,"markDefs":121,"style":25},"38458b789da1",[117],{"_key":118,"_type":12,"marks":119,"text":120},"89820b6cc958",[],"\n",[],[123,131,139,147,172,204,212,220,228,236],{"_key":124,"_type":8,"children":125,"markDefs":130,"style":25},"906d60483c77",[126],{"_key":127,"_type":12,"marks":128,"text":129},"cf8f0d7d7478",[],"Vittoriano Viganò was born in Milan in 1919. His education took place between Classical Studies and the Faculty of Architecture at the Politecnico di Milano, where he graduated in 1944. After obtaining his professional qualification, he undertook a brief apprenticeship at the BBPR studio before establishing his own professional practice.",[],{"_key":132,"_type":8,"children":133,"markDefs":138,"style":25},"cc5dc8129630",[134],{"_key":135,"_type":12,"marks":136,"text":137},"1f17909d0b3e",[],"Simultaneously, he began his academic career at the university, initially as a voluntary assistant, later as a freelance lecturer, and by the second half of the 1960s, as a tenured professor of Interior Architecture. This discipline was previously taught by Gio Ponti—often cited as one of his mentors alongside Giuseppe Terragni—and later by Carlo De Carli. In 1979, he transitioned to teaching Architectural Composition. Over the years, he developed research on primary residential and service typologies, museums, theaters, and the relationship between space and objects. His work integrated themes of residential and service spaces, the \"architectural potential\" of infrastructural nodes, and the \"spatial faculties\" of vertical structures.",[],{"_key":140,"_type":8,"children":141,"markDefs":146,"style":25},"ec5159c649a9",[142],{"_key":143,"_type":12,"marks":144,"text":145},"27bc876a3931",[],"His cultural environment played a fundamental role in shaping his work, particularly his family background. Through his father, Vico, a painter and engraver, Vittoriano was exposed to Milanese and international artistic circles. This experience later enabled him to explore the intersection of different art forms, particularly in collaboration with institutions like the Triennale and the Lombard production system, including companies such as Arteluce. In the 1950s, Gino Sarfatti entrusted him with the artistic direction of Arteluce, a role in which he left a lasting mark on the firm’s aesthetic. His most iconic products from this period include ceiling lights with large articulated arms and multifunctional cone-shaped diffusers, resembling luminous mobiles.",[],{"_key":148,"_type":8,"children":149,"markDefs":171,"style":25},"9e7a00de43af",[150,154,159,163,167],{"_key":151,"_type":12,"marks":152,"text":153},"978a0320237b",[],"Viganò also held a significant role on the international scene, particularly as the Italian correspondent for two influential French magazines founded by André Bloc: ",{"_key":155,"_type":12,"marks":156,"text":158},"e2a77745bb80",[157],"em","L'Architecture d'Aujourd'hui",{"_key":160,"_type":12,"marks":161,"text":162},"43e52d12b05c",[]," (1947-1955) and ",{"_key":164,"_type":12,"marks":165,"text":166},"cc854285ae36",[157],"Aujourd'hui. Art et Architecture",{"_key":168,"_type":12,"marks":169,"text":170},"bb97749c7bb6",[]," (from 1955).",[],{"_key":173,"_type":8,"children":174,"markDefs":203,"style":25},"bd9a72c91a75",[175,179,183,187,191,195,199],{"_key":176,"_type":12,"marks":177,"text":178},"0bdec2914801",[],"Following his early works—such as the condominium in Viale Piave (1945, with Carlo Pagani) and Cinema dal Verme (1947-48, with Mario Cavallè) in Milan—his collaboration with the Triennale began. He contributed to projects such as the ",{"_key":180,"_type":12,"marks":181,"text":182},"22aaeb2c9465",[157],"Mostra del Verde",{"_key":184,"_type":12,"marks":185,"text":186},"493bc846a2ab",[],", ",{"_key":188,"_type":12,"marks":189,"text":190},"e9fec780573e",[157],"Casette for Veterans",{"_key":192,"_type":12,"marks":193,"text":194},"5e087ff14d53",[],", and the ",{"_key":196,"_type":12,"marks":197,"text":198},"116e96d0bba0",[157],"Project for the Youth Hotel at QT8",{"_key":200,"_type":12,"marks":201,"text":202},"8b151e5a9597",[],", all for the VIII Triennale. His numerous residential space redesigns, including the Sarfatti House (1951) and his own office (1947), marked the 1950s as a particularly fruitful period in the maturation of his architectural language.",[],{"_key":205,"_type":8,"children":206,"markDefs":211,"style":25},"f9c0d0ec0041",[207],{"_key":208,"_type":12,"marks":209,"text":210},"42685363a299",[],"During this decade, he completed an impressive series of works, including isolated residences (Casa Bloc in Portese del Garda, 1953-58), apartments (the condominium in Via Gran San Bernardo, 1957-60; Apartment in Milan, 1956-58), and radically reimagined exhibition and commercial spaces (Galleria del Fiore, 1953-54; Galleria Apollinaire, 1954-55 in Milan). He also designed collective service buildings, such as the Istituto Marchiondi (1953-58), later revisited in the new Faculty of Architecture headquarters (1965-85), and commercial establishments like the Tom Boy shop (1959-60) and the Arteluce shop (1961-62).",[],{"_key":213,"_type":8,"children":214,"markDefs":219,"style":25},"ce56a44439a9",[215],{"_key":216,"_type":12,"marks":217,"text":218},"566070af8db2",[],"In these years, he also initiated a reflection on industrial production spaces, beginning with the Cartiere Sterzi in Varese (1956-58), later expanding with projects like the Colorificio Attiva in Novi Ligure (1965-70) and the Mollificio Bresciano in San Felice del Benaco (1967-82).",[],{"_key":221,"_type":8,"children":222,"markDefs":227,"style":25},"1ecdddb6018e",[223],{"_key":224,"_type":12,"marks":225,"text":226},"b0b28eb87ae1",[],"His engagement with urban space was consistent and enduring. His lifelong dedication to Milan's Parco Sempione is particularly notable, alongside significant planning projects for Rimini (redevelopment of the old Marecchia riverbed, 1969-82) and Salò (redevelopment of the lakefront and various historic center projects, 1983-96).",[],{"_key":229,"_type":8,"children":230,"markDefs":235,"style":25},"9905e6f30cfc",[231],{"_key":232,"_type":12,"marks":233,"text":234},"82dda6418671",[],"Vittoriano Viganò passed away in Milan in 1996.",[],{"_key":237,"_type":8,"children":238,"markDefs":243,"style":25},"1eb2245a7e66",[239],{"_key":240,"_type":12,"marks":241,"text":242},"32fc670f2d2d",[],"Excerpt from the text by Roberto Rizzi, published on www.ordinearchitetti.mi.it\nCourtesy of Ordine e Fondazione degli Architetti, Pianificatori, Paesaggisti e Conservatori della Provincia di Milano.",[],[245],{"_key":246,"_type":8,"children":247,"markDefs":252,"style":25},"61ded37550f0",[248],{"_key":249,"_type":12,"marks":250,"text":251},"91da01c3c26f",[],"Vittoriano Viganò (Milan, 1919 - Milan, 1996)",[],{"alt":46,"asset":254},{"_id":255,"height":256,"orientation":257,"ratio":258,"url":259,"width":260},"image-e013f018cdce5c4257ef0fbee0517dc4646a9a0f-1000x736-jpg",736,"landscape",1.358695652173913,"https://cdn.sanity.io/images/w19bax1v/production/e013f018cdce5c4257ef0fbee0517dc4646a9a0f-1000x736.jpg",1000,{"_type":51,"current":262},"vittoriano-vigano","viganò ","Vittoriano Viganò",[266],{"_id":267,"_type":268,"seo":46,"slug":269,"title":271},"2ed88313-aebb-42ee-b8cf-89a1ca71ed18","productCategoryChild",{"_type":51,"current":270},"wall-lamps","Wall Lamps",{"collection":46,"edition":273,"materials":274,"measurements":275,"notes":46,"year":278},"Arteluce","Brass, lacquered aluminium",{"centimeters":276,"inches":277},"H 55 / L 125","H 21,6 / L 49,2","1951","Enquiry about the work 'Vittoriano Viganò, Mod. 190 - Wall Lamp'",{"landingImage":46,"thumbnailImage":281},{"alt":46,"asset":282,"settings":46},{"_id":283,"height":284,"orientation":285,"ratio":286,"url":287,"width":288},"image-c8de5ed1fd160d2ebd9911b1b8cd2612ed0a06bc-1333x2000-jpg",2000,"portrait",0.6665,"https://cdn.sanity.io/images/w19bax1v/production/c8de5ed1fd160d2ebd9911b1b8cd2612ed0a06bc-1333x2000.jpg",1333,{"authors":290,"collections":46,"typologies":292},[291],{"_id":95,"title":264},[293,294],{"_id":267,"title":271},{"_id":295,"title":296},"92ec6b8d-5df7-4b1d-bb04-5720193148b5","Lighting",{"image":298,"settings":303},{"alt":46,"asset":299},{"_id":300,"height":288,"orientation":257,"ratio":301,"url":302,"width":284},"image-29c8436f027e093838fff058b897098919d10717-2000x1333-jpg",1.5003750937734435,"https://cdn.sanity.io/images/w19bax1v/production/29c8436f027e093838fff058b897098919d10717-2000x1333.jpg",{"imageSize":304},"fullbleed",[306],"mod. 190 - wall lamp",{"metaDescription":308,"metaTitle":309,"shareImage":46},"Mod. 190 Wall Lamp Vittoriano Viganò Arteluce","Mod. 190 Wall Lamp Vittoriano Viganò",{"_type":51,"current":311},"mod-190-wall-lamp","Mod. 190 - Wall Lamp",{"_id":314,"_type":314,"seo":46,"slug":315,"title":317},"productsPage",{"_type":51,"current":316},"works","Works",1778622956137]