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His art, shaped by the Viennese Secession, extended to applied arts like embroidery, tapestries, and enamelled glass. In 1921, he became artistic director of V.S.M. Cappellin Venini & C., revolutionizing Murano glass with Renaissance-inspired, refined, and essential forms. After a company split in 1925, he continued shaping modern glass design. Zecchin also taught and worked with other major glassmakers. His works were widely exhibited in Italy and abroad. ",[],[107,115,123,131,139,147,155,163,171,179],{"_key":108,"_type":31,"children":109,"markDefs":114,"style":48},"dceac2420ed7",[110],{"_key":111,"_type":35,"marks":112,"text":113},"09f131cd6c23",[],"Vittorio Zecchin was born in Murano in 1878. From a young age, he came into contact with the world of glass thanks to his father, a technical composer at a Murano glassworks. Despite this early connection, Zecchin pursued his training as a painter, graduating from the Academy of Fine Arts in Venice.",[],{"_key":116,"_type":31,"children":117,"markDefs":122,"style":48},"8f1faf1ae87d",[118],{"_key":119,"_type":35,"marks":120,"text":121},"d6f3d7d2b279",[],"His artistic career began in the vein of the Viennese Secession, with paintings characterised by decorative, polychrome tones influenced by Central European taste. During these same years, he applied his curiosity and versatility to various applied arts - embroidery, tapestries, glass objects decorated with enamels and gold, often creating small works in the Secessionist style using murrine.",[],{"_key":124,"_type":31,"children":125,"markDefs":130,"style":48},"550cee386ee8",[126],{"_key":127,"_type":35,"marks":128,"text":129},"71bc8fbed368",[],"The cultural fervor of those years, driven by two key events - the 1889 bequest of Felicita Bevilacqua La Masa, which dedicated part of Ca’ Pesaro to exhibitions of young artists, and the first edition of the Venice Biennale in 1895 - offered Zecchin new opportunities for experimentation and visibility in a deeply renewed context.",[],{"_key":132,"_type":31,"children":133,"markDefs":138,"style":48},"7d20389e6569",[134],{"_key":135,"_type":35,"marks":136,"text":137},"3995295b59ca",[],"A turning point in his career came in 1921, when he was appointed artistic director of V.S.M. Cappellin Venini & C., a glassworks newly founded by Venetian antique dealer Giacomo Cappellin and Milanese lawyer Paolo Venini. This was an unusual choice at the time, as Zecchin did not come from the glassmaking world, but it would prove crucial for shaping the new Murano aesthetic.",[],{"_key":140,"_type":31,"children":141,"markDefs":146,"style":48},"ff69efdf6406",[142],{"_key":143,"_type":35,"marks":144,"text":145},"e452f4dea759",[],"Zecchin introduced a radically innovative language, in stark contrast to contemporary glassworks, which were still tied to the late 19th-century Art Nouveau style. His creations were inspired by the elegance and simplicity of the Venetian Renaissance repertoire, with light, essential forms, and refined colours, often evoking the paintings of Veronese and Tintoretto. As Pasquale Gagliardi notes, these forms “seem to be supported by a breath or a sigh.”",[],{"_key":148,"_type":31,"children":149,"markDefs":154,"style":48},"ca4d6961bfb6",[150],{"_key":151,"_type":35,"marks":152,"text":153},"7661ab049fd3",[],"In 1925, following the split between Cappellin and Venini, Zecchin’s collaboration with V.S.M. Cappellin Venini ended. The two partners went on to establish separate glassworks - M.V.M. Cappellin & C. and V.S.M. Venini & C. - both initially adhering to the aesthetic path set by Zecchin. In particular, M.V.M. Cappellin & C. brought him back as artistic director (and, in part, also a partner) until 1926.",[],{"_key":156,"_type":31,"children":157,"markDefs":162,"style":48},"53d200f39b9f",[158],{"_key":159,"_type":35,"marks":160,"text":161},"c95c109b2ddd",[],"During these years, Zecchin produced an extensive catalogue of blown glass works, predominantly monochrome and transparent: goblets, vases, tableware, candlesticks, chandeliers. These objects marked the emergence of a new modern language in Murano glass art.",[],{"_key":164,"_type":31,"children":165,"markDefs":170,"style":48},"2116518a6de9",[166],{"_key":167,"_type":35,"marks":168,"text":169},"a21051c6530c",[],"After his time with Cappellin, Zecchin returned to decorative arts - tapestries, embroidery, mosaics, furniture, metalwork - while continuing to collaborate with numerous glassworks, including Ferro-Toso, A.V.E.M., Salir, Barovier Seguso Ferro, and Fratelli Toso. 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