Thomas Stearns (Oklahoma City, 1936 - Philadelphia, 2006) studied Art in the U.S. before receiving a scholarship and Fulbright Grant to work in Murano in 1960. Fascinated by Paolo Venini’s glasswork, he joined the Venini glassworks despite language and technical challenges. With support from Checco (Francesco Ongaro), Stearns developed innovative glass designs, breaking traditional Murano aesthetics. Inspired by Venice, he created notable works like the Cappello del Doge series. His pieces gained acclaim at the 1962 Venice Biennale but were disqualified due to nationality. After two years, Stearns returned to the U.S., shifted to fiber sculpture.